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Ron Benner SELECTED SOLO EXHIBITIONS 2003 Re-viewed, Art Gallery of Ontario, Toronto, Ontario. 2003 Trans/mission: Vectors, Expression, Saint-Hyacinthe, Québec. 2003-02 Trans/mission: African Vectors, Oakville Galleries, Oakville, Ontario. 2002 Photographs 1997-2002, Colour by Schubert, London, Ontario. 1999 Capital Remains, London Regional Art and Historical Museums, London, Ontario. 1999 The Commodification of Life, public art project, 401 Richmond Street Building, Toronto, Ontario. (on-going). 1997/01 Trans/mission: Corn Vectors, University of Western Ontario, London, Ontario. 1997/01 The Commodification of Life, public project, Ontario New Democratic Party Convention, Hamilton Convention Centre, Hamilton, Ontario. 1997 In Digestion - Recent Acquisitions, London Regional Art & Historical Museums, London, Ontario. 1996/95 All That Has Value, national touring exhibition: McIntosh Gallery, University of Western Ontario and Covent Garden Market, London, Ontario; Edmonton Art Gallery, Edmonton, Alberta; Presentation House Gallery, Vancouver, British Columbia; Dunlop Art Gallery, Regina, Saskatchewan; curated by Peter White. 1995 ANTHRO-APOLOGIES, Peru 1979-80, Art Gallery of Ontario, Toronto, Ontario. 1995 All That Has Value, McIntosh Gallery, University of Western Ontario, London, Ontario. 1992 ¿Valia La Pena?/ Natívas De Las Américas, Billboard Installation, La Carboneria Sevilla, Spain. 1991 Selected Works 1976-90, Galerie Brenda Wallace, Montréal, Québec. 1989 Ron Benner: Other Lives, Art Gallery of Windsor, Windsor, Ontario.(curated by Matthew Teitelbaum) 1988 Watercolours and Photo Works, studio exhibition, London Ontario. 1988 Bahia de Cochinos/ Bay of Pigs, Mercer Union, Toronto, Ontario. 1988 Ron Benner: Other Lives, Mendel Art Gallery, Saskatoon, Saskatchewan. (Curated by Matthew Teitelbaum) 1985 Erie place of the puma, railway underpass installation, Wellington Street, London, Ontario. 1985 Recent Work, YYZ, Toronto, Ontario. 1984 Recent Work, Alternate Space, 515 Queen Street West, Toronto, Ontario. 1984 ¿Como se llama ... ?/How are you called...?, Galería Agora-DIF, Merida Yucatan, Mexico. 1984 Watercolours: Mexico Cuba, 1983/ 84, Auberge du Petit Prince, London, Ontario. 1984 Erie place of the puma, cliff-face installation, Pearce Park, Lake Erie, Ontario. 1983 ¿Como se llama..?/ How are you called..? McIntosh Gallery, University of Western Ontario, London, Ontario. 1983 Watercolours: Lake Erie, Mexico, Newfoundland. 1982-83 Auberge du Petit Prince, London, ON. 1981 ANTHRO-APOLOGIES, Peru, 1979/80, YYZ, Toronto, Ontario. 1981 Anthro-Apologies/Cultural Schizophrenia, Peru, 1979-80, Forest City Gallery, London, Ontario. 1981 Watercolours 1975/ 81, Auberge du Petit Prince, London, Ontario. 1980 And when your streets are empty, Forest City Gallery, London, Ontario. 1978 Asado through the eyes of young sheep, Véhicule Gallery, Montréal, Québec. 1978 Asado through the eyes of young sheep, Forest City Gallery, London, Ontario. 1977 Photographic Work 1975/ 76. 1974 Recent Work, studio exhibition, London, Ontario. 1973 Recent Work, Trajectory Gallery, London, Ontario. SELECTED GROUP EXHIBITIONS 2004 Gateways & Gardens, (Trans/mission: Still Life), Grosvenor Lodge, University of Western Ontario, London, Ontario. 2003 Looking Left, Articule, Montréal, Québec. 2003 Orange (markets), Expression, Saint-Hyacinthe, Québec. 2003 Bookworks on the Fence, organized by Red Tree Collective, Toronto, Ontario; Epicentro, Mexico City, Mexico and Museum of Vera Cruz, Mexico. 2002 To Eat or Not To Eat, Art Centre of Salamanca, Salamanca, Spain. 2002 Out There is Somewhere: The Arctic in Pictures, Art Gallery of Windsor, Windsor, Ontario. 2001 Continuities, Art Gallery of Windsor, Windsor, Ontario. 2001 Pathways, McIntosh Gallery, University of Western Ontario, London, Ontario. 2000 Logo City, Blackwood Gallery, University of Toronto at Mississauga, Mississauga, Ontario. 1999 Case Studies: Still Life, York Quay Centre, Harbourfront Centre, Toronto, Ontario. 1998 Fundamental Freedoms: The Artist and Human Rights, The National Gallery of Canada, Ottawa, Ontario. 1998 Layers, Wynick/Tuck Gallery, Toronto, Ontario. 1998 Orientations, McIntosh Gallery, University of Western Ontario, London, Ontario. 1998 Texte Counter - Text, Thielsen Gallery, London, Ontario. In conjunction with "Art History & Textuality" session, co-chaired by John O' Brian and Susan Douglas, Canadian University Art Association Conference, University of Western Ontario, London, Ontario. 1998 Fieldworks (Trans/mission: Papaya Vectors), Greenhouses, Department of Plant Sciences, an ArtLab project, University of Western Ontario, London, Ontario. 1998 Temps composé: La Donation Maurice Forget, Musée d'Art de Joliette, Québec. 1998 Freedom, Diversity, Pluralism, Museum of Contemporary Art, Santiago, Chile. 1998 All That Has Value, Covent Garden Market, London, Ontario. 1998 A Gift for India, Sahmat, New Delhi, India. (touring). 1998 Foodculture (Transmission: Corn Vectors), ArtLab project, (curated by Barbara Fischer), University of Western Ontario, London, Ontario. 1997 Southwest Biennial, Art Gallery of Windsor, Windsor, Ontario. (curated by Robin Metcalfe) 1997 Track Records: Trains and Contemporary Photography, Oakville Galleries, Oakville, Ontario in collaboration with Canadian Museum of Contemporary Photography, Ottawa. (national touring exhibition, curated by Marnie Fleming). 1995 AGW Southwest Biennial, Art Gallery of Windsor, Windsor, Ontario. (guest juror: Jessica Bradley) 1995 Artists´ Gardens, Harbourfront Centre, Toronto, Ontario. 1994 Recent Acquisitions, National Gallery of Canada, Ottawa, Ontario. 1994 Artists´ Gardens, Harbourfront Centre, Toronto, Ontario. 1993 Temporal Borders, Image and Site, Galerie Wart Leonard, and Bina Ellen Art Gallery, Concordia University, Montreal, Québec. 1993 A Cup for a Cup, Forest City Gallery and Valdi's Food Store, London, Ontario. 1993-03 Artists´ Gardens, Harbourfront Centre, Toronto, Ontario. (on-going artist project). 1993 A Brief Topography, Gibson Gallery, London, Ontario. 1993 Common Ground, Open Space, Victoria, British Columbia. 1992 Travelling Theory, National Gallery, Amman, Jordan. 1992 Travelling Theory, McIntosh Gallery, University of Western Ontario, London, Ontario. 1992 Okanata, Woodland Cultural Centre, Brantford, Ontario. 1991 In Control (billboard project, curated by Lorenzo Buj), Artcite, Windsor, Ontario. 1991 Okanata, A Space/ Workscene Gallery, Toronto, Ontario. 1991 Mois de la Photo As the Crow Flies, Maison de la Culture du Plateau, Montréal, Québec. 1991 War, Media and the "New World Order," C.I.A.C, Montréal, Québec, and Artcite, Windsor, Ontario. 1990 The Salvage Paradigm (curated by Janice Gurney), YYZ and Wynick/ Tuck Gallery, Toronto, Ontario. 1990 Regionalism in Canadian Art ,Tom Thomson Memorial Art Gallery, Owen Sound, Ontario. (Curated by Sheila Butler) 1989 The Polysemos of Contemporary Photography, Galerie Brenda Wallace, Montréal, Québec. 1989 Two Works: Inti Raymi and Woman and Manta, Cross Cultural Learner Center, London, Ontario. 1988 Memory Track, Walter Phillips Gallery, Banff, Alberta (Curated by Helga Pakasaar). 1988 London/ Havana Exchange, Casa de Las Américas, Havana, Cuba. 1987 Invitational Exhibition, Cold City Gallery, Toronto, Ontario. 1985 Drawing Exhibition, Embassy Cultural House, London, Ontario. 1985 Artists Against Intervention in Central America, Rivoli, Toronto, Ontario. 1985 Riot/ Calm/ Luxury, Art Gallery of Harbourfront, Toronto, Ontario. (Curated by Oliver Girling) 1985 The Artist Collects, London Regional Art Gallery, London, Ontario. 1984 New City of Sculpture, Gallery 76, Toronto, Ontario. 1984 How to die twice, McIntosh Gallery, University of Western Ontario, London, Ontario. 1983 Benner/ Lake/ Reitzenstein, an Art Gallery of Ontario ´Artist With Their Work´ exhibition, Artspace, Peterborough, Ontario. 1983 Disarmament exhibition, Embassy Cultural House, London, Ontario. 1980 Merida/ London Exchange, Galería Fonapas, Merida, Yucatan, Mexico. 1979 Gallery Artists, Forest City Gallery, London, Ontario. 1978 Forest City Gallery Artists, St. Lawrence College, Kingston, Ontario. 1978 Performance, Art Gallery of Harbourfront, Toronto, Ontario. 1977 Forest City Gallery/ A Space Exchange, A Space, Toronto, Ontario. 1976 Selected London Sculpture, London Art Gallery, London, Ontario. 1976 Tom Benner/ Ron Benner: Selected Works 1972/ 76, Concordia University, Montréal, Québec. 1976 Tom Benner/ Ron Benner: Selected Works 1972/ 76, Art Gallery of Ontario, Toronto, Ontario. COLLECTIONS Art Gallery of Ontario, Toronto, Ontario Art Gallery of St. Thomas/ Elgin, St. Thomas, Ontario Art Gallery of Windsor, Windsor, Ontario Canada Council Art Bank, Ottawa Casa De Las Americas, Havana, Cuba London Regional Art and Historical Museums, London, Ontario McIntosh Gallery, University of Western Ontario, London, Ontario Musée d'Art de Joliette, Québec Museum London, London. Ontario National Gallery of Canada, Ottawa, Ontario Oakville Galleries, Oakville, Ontario Ontario Arts Council, Toronto, Ontario VISITING ARTIST / LECTURES 2003 Expression, Saint-Hyacinthe, Québec 2002 University of Salamanca, Salamanca, Spain 2002 Museion, Gotenborg, Sweden 2002 Oakville Galleries, Oakville, Ontario 2001 Harbourfront Centre, Toronto, Ontario 1999 Okanagan University College and Kelowna Art Gallery, Kelowna, British Columbia 1999 London Regional Art and Historical Museums, London, Ontario 1998 University of Toronto, School of Landscape Architecture, Toronto, Ontario 1998 York University, Faculty of Environmental Studies, Toronto, Ontario 1997 Presentation House Gallery, North Vancouver, British Columbia 1997 London Regional Art Gallery, London, Ontario 1997 University of Windsor, Department of Visual Arts, Windsor, Ontario 1997 Oakville Galleries, Oakville, Ontario 1997 Lalit Kala Academy, Calcutta, India 1995 Art Gallery of Ontario, Toronto, Ontario 1995 Fanshawe College, Visual Arts Department, London, Ontario 1995 University of Western Ontario, Department of Anthropology, London, Ontario 1995 McIntosh Gallery, University of Western Ontario, London, Ontario 1993 Visual Arts Ontario, conference, Artists´ Housing, University of Windsor, Windsor, Ontario 1992 Ontario College of Art, Toronto, Ontario 1991 Emily Carr College of Art, Vancouver, British Columbia 1990 Banff Centre for the Arts, Banff, Alberta 1990 Centre for the Arts, Owen Sound, Ontario 1989 Art Gallery of Windsor, Windsor, Ontario 1988 Sheridan College, Oakville, Ontario 1988 Dundas Valley School of Arts, Dundas, Ontario 1988 Ontario College of Art, Toronto, Ontario 1988 Instituto Superior de Arte, Havana, Cuba 1988 Casa De Las Americas, Havana, Cuba 1988 Mendel Art Gallery, Saskatoon, Saskatchewan 1988 Mercer Union, Toronto, Ontario 1987 University of Guelph, Guelph, Ontario 1987 Banff School of Fine Art, Banff, Alberta 1983 Artspace, Peterborough, Ontario 1981 University of Western Ontario, London, Ontario 1981 H.B. Beal Secondary School, London, Ontario 1976 Artist in the Schools Programme, London, Ontario BIBLIOGRAPHY Note: an asterisk (*) following an entry indicates an exhibition catalogue or brochure. Antaki, Karen. Temporal Borders - Image and Site (catalogue) Leonard & Bina Ellen Art Gallery, Concordia University, Montréal, Québec.1993.* Artists' Project, collaboration with text by Marwan Hassan, Public Magazine, issue 26, Toronto, Ontario. Banning, Kass. The Salvage Paradigm. C Magazine, Toronto, Winter 1991. Benner, Ron. Como se llama...?/ How are you called...?, McIntosh Gallery, University of Western Ontario, London, Ontario, 1983. Benner, Ron. Native to the Americas. Inside cover, Borderlines, Toronto, Ontario, no. 23 Winter 1991/92. Benner, Ron. State of the Art. Embassy Cultural House, London, Ontario. 1983. Benner, Ron. Tom Benner/ Ron Benner. Concordia University Art Gallery, Montreal, Québec. 1976.* Bookart. Lomholt, Denmark: Formular Press, 1984. Borsa, Joan. Industrial Impact. Artcite, Windsor, Ontario. 1988.* Bowles, Sarah. Temporal Borders. The Link, Montreal, 21 September 1993. Buj, Lorenzo. In Control: Artcite, Windsor, Ontario. 1993. Butler, Sheila. Regionalism in Canadian Art. Tom Thomson Memorial Art Gallery, Owen Sound, Ontario. 1990.* Campeau, Sylvain. Le Mois de la Photo à Montréal. Parachute, Montreal, Québec, no. 65 1992. Corbeira, Dario. To Eat or Not To Eat, CASA, Salamanca, Spain. 2002.* Cronin, Ray. Billboards In Control. Fuse, Toronto, Ontario, Fall 1991. Cronin, Ray. Sites of New Tradition. Parallelogramme, Toronto, Ontario, vol. 17, no. 3 1991. Dewdney, Christopher. 5 Artists from London. Galeria Latinoamericana, Havana, Cuba 1988.* Duncan, Ann. Temporal Borders. The Gazette, Montreal, Québec, October 2, 1993. Findlay, Len. All That Has Value. Border Crossings, Winnipeg, Manitoba, Summer 1995. Fischer, Barbara. Decalog: 1979-1989. Toronto, Ontario: YYZ, 1993.* Fischer, Barbara. (editor). Foodculture. YYZ Books, Toronto/ArtLab, University of Western Ontario, London, Ontario, 2000.* Flanagan, Regina. Artists Cultivate New Garden Forms. Public Art Review, Minneapolis, Minnessota, vol. 5, issue 9, no. l. Fall/ Winter 1993. Fleming, Marnie.Track Records: Trains and Contmporary Photography (catalogue including essay by Lynne Kirby) Oakville Galleries, Oakville, Ontario and the Canadian Museum of Contemporary Photography, Ottawa, Ontario, 1997.* Gilbert, Jean-Pierre...et al, editors. So, To Speak. Artexte Editions, Montréal, Québec. 1998 Girling, Oliver. Riot/ Calm/ Luxury. Art Gallery of Harbourfront, Toronto, Ontario, 1985.* Gravel, Claire. De la matiere ´a la substance. Le Devoir, Montreal, Québec, March 2, 1991. Gravel, Claire. Outillages critique. les herbes rouge Montreal, Québec, no. 197, 1992. Grenville, Bruce. The Post-Colonial Landscape, Mendel Art Gallery, Saskatoon, Saskatchewan and the Edmonton Art Gallery, Edmonton, Alberta, 1998.* Grenville, Bruce. New City of Sculpture. C Magazine, Toronto, Ontario, 1984.* Gurney, Janice. The Salvage Paradigm. YYZ/ Wynick-Tuck Gallery, Toronto, Ontario, 1990.* Hansen, Henning, ed. Artist Project. KATALOG, Odense, Denmark, 5, no. 4 June 1993. Horne, Stephen. Memory Track. C Magazine, Toronto, Ontario Spring 1989. Madeleine Lennon. How to die twice, (catalogue), McIntosh Gallery, University of Western Ontario, London, Ontario. Kuspit, Donald. Free at Last. C Magazine, Toronto, Ontario, Winter 1983. Lamontagne, Valeri. Installing Borders. Hour, Montreal, Québec. October 1993. Laurence, Jocelyn. Ecology: Air, Earth, Water. Canadian Art, Toronto, Ontario, Winter 1989. Lehmann, Henry. Temporal Borders. Mirror, Montreal, Québec, October 7, 1993. McKabe, Kate. Selected London Sculpture. London, Ontario. 1976.* MacKay, Mary. Other Lives. Windsor Star, (Windsor, Ontario), February 1, 1988. Marie-Michèle Cron. Desespoir et tenacité des regards. Le Devoir, Montreal, Québec, 26 Septembre 1990. Martin, Alain & Tinguley. Regard à Gauche/ Looking Left, Articule, Montréal, Québec, 2003.* Matayas, Joe. All That Has Value. London Free Press (London, Ontario), February 11, 1995. Merritt, David. Ron Benner: Other Lives. Parachute, Montreal, Québec, no. 57, 1990. Pakasaar, Helga. Memory Track. Banff, Alberta: Walter Phillips Gallery, 1989.* Patton, Andy. Trans/misson: Vectors, Expression, Saint-Hyacinthe, Québec, 2003.* Podedworny, Carol. Okanata. C Magazine, Toronto, Ontario, Winter 1992. Portis, Ben. All That Has Value. Parachute, Montreal, Québec, Fall 1995. Rans, Goldie. Ron Benner, Forest City Gallery. Vanguard, Vancouver, February 1982. Rans, Goldie. Ron Benner, McIntosh Gallery. Vanguard, Vancouver, May, 1982. Robertson, Sheila. “A Unifying Concern.” Star-Phoenix, Saskatoon, Saskatchewan, August 1, 1986. Rocchi, James. All That Has Value. ID Magazine Kitchener-Waterloo, Ontario, March 3, 1995. Ron Benner, Nick Johnson. London, Ontario: London Regional Art Gallery, 1987.* Simon, Cheryl. Other Ways of Seeing. Canadian Art, Toronto, Ontario, Summer 1991. Stacey, Robert, Terrence Heath and Vincent Varga. Source/ Derivations: Allan Harding MacKay. Windsor and Toronto: Art Gallery of Windsor and Archives of Canadian Art and Design, 1998.* Teitelbaum, Matthew. Ron Benner: Other Lives Saskatoon, Mendel Art Gallery, 1988.* Thomas, David. Selected Work: Galerie Brenda Wallace. Parachute, Montreal, Québec, no. 64, 1991. Toquri McFarlane, Scott. Tras/mission: African Vectors, Oakville Galleries, Oakville, Ontario, 2002.* Tuer, Dot. Decolonizing the Imagination. C Magazine, Toronto, Ontario, Spring 1992. White, Peter. Ron Benner: All That Has Value, (catalogue) with texts by Peter White and Patrick Roy Mooney, McIntosh Gallery, University of Western Ontario, London, Ontario, 1996.* White, Peter, and Patrick Roy Mooney. All That Has Value: Ron Benner. London, Ontario: McIntosh Gallery, University of Western Ontario, 1995.* Wood, William. Absent Celebration. C Magazine, Toronto, Ontario, Winter 1984. |