|
|
| Jane Buyers Professor Emerita, University of Waterloo SOLO EXHIBITIONS: Solo and Two-Person (Selected) 2012 Gather...Arrange...Maintain. Kitchener-Waterloo Art Gallery. Survey solo show. 2010 Amend. Paul Petro Contemporary Art, Toronto. Solo show . 2007 Images for Words/Memory for Things. Stratford Gallery. Solo show. 2006 Into the Woods, (with Mary Catherine Newcomb). Canadian Clay and Glass Gallery, Waterloo. Two-person show. 2006 from Inscriptions. Paul Petro Multiples and Small Works , Toronto. solo show. 2005/6 Inscriptions. Robert McLaughlin, Oshawa. Solo show. Solo with catalogue. Travelled to Koffler Gallery, Toronto; University of Waterloo Art Gallery. 2000 Analogue, (with Ingrid Nicolai). Harbinger Gallery, Waterloo, Ontario. Two-person show. 2000 Paul Petro Contemporary Art, Toronto, Ontario. Solo show. 1998 Botanica Barocca, Justina M. Barnicke Gallery, Hart House, University of Toronto. Solo show. 1997 Paul Petro Contemporary Art, Toronto, Ontario. Solo show. 1997 Iconoclasts, (with David Mcgee). McIntosh Gallery, University of Western Ontario, London, Ontario. Two-person show. 1997 Inventory (with An Whitlock). Burlington Art Centre, Burlington, Ontario. Two-person show. 1996 Folio, Kitchener-Waterloo Art Gallery, Kitchener, Ontario. Solo show. 1996 Prossimita e Distanza. Canadian Cultural Centre, Rome. Solo show. 1988 Industry and Idleness. Garnet Press Gallery, Toronto, Ontario. 1983/84 Mixing Memory and Desire, Art Gallery of Hamilton. Solo show. 1975 Owens Art Gallery, Sackville, New Brunswick. Solo show. Circulating exhibition: Confederation Centre Art Gallery and Museum, Charlottetown, P.E.I., 1976; Memorial University Art Gallery, St. John's Newfoundland 1976; The Gallery/Stratford, Stratford, 1976. GROUP EXHIBITIONS (Selected) 2011 RCA Regional Members. University of Waterloo Art Gallery. 2011 RCA Members Exhibition. Canadian Clay and Glass Gallery, Waterloo. 2010 Toronto International Art Fair 2010 Art at Work: Corporate Collecting Practices Today, Part 1. Art Gallery of Mississauga 2009 Arboreal, Durham Art Gallery 2008 Not Just a One Night Stand. Paul Petro Contemporary Art, Toronto. Three -person show. 2007-8 Pictured: image and object in Canadian sculpture. Art Gallery of Nova Scotia 2007-8 If you go out in the Woods Today. Gladstone Hotel, Toronto. 2007 Still Life, Harbinger Gallery, Waterloo. 2006 Art Fiction. Art Mur, Montreal. 2006 Natural Selection. Paul Petro, Toronto. 2005 The Suitcase Show. Harbourfront, Toronto. 2005 You Get What You Get. Akau, Toronto. 2004 Toronto International Art Fair 2004 Art and Paper VI. Galerie d'art Jean-Claude-Bergeron, Ottawa. 2004 Open Studio, Toronto, March 2004 . Three person show. 2003 Genius Loci. Canadian Clay and Glass Gallery, Waterloo, Ont. 2002 Reading Without Words: Books as Objects. Gallery Stratford. 2002 Lonsdale Gallery, Toronto. Artists' Books. 2001 Herbarium. Art Gallery of Peterborough. 2001 Chronicles: The Great Canadian Printmaking Competition. Edward Day Gallery, Toronto. 2001 Great Lakes. Harbourfront Centre, Toronto. 2000 The Single Tree. London Regional Art Gallery. 2000 Cote cour, cote jardin. Galerie Art Mur, Montreal. 1996 Second Skin, Macdonald Stewart Art Centre, Guelph, ON. 1991 The A- Project. Simon Watson Gallery, New York. International curated group show. Traveled to Real Art Ways, Hartford, Connecticut; HallWalls, Buffalo, New York; New Langton Arts, San Francisco. Guest curated by Chrysanne Stathacos and Kathe Burkhart. 1990 Memory Work: The Post Modern Impulse in Canadian Art. London Regional Art and Historical Museums, London. Guest curated by Mark Cheetham, with book. Text by Mark Cheetham with Introduction by Linda Hutcheon. Traveled to: Mississauga Civic Centre Art Gallery; Glenbow Museum, Calgary , 1991. 1982 O Kromazone. Das Institut Unzeit, Berlin, catalogue. 1974 La Guilde Graphique: L'Auto Tic Tac. Bouguignon Gallery, Montreal. 1974 Three Women. Media Gallery, Montreal. PUBLIC COMMISSIONS 2001 Golden Queen Hybrid. RIM Park, Waterloo. Open competition. 2001 Between the Acts. Theatre and Company, Kitchener. Invitational. 2000 John Labatt Barley Field, Labatt Park, Waterloo, ON. 1997 Agricultura, Donald Forster Sculpture Park, Macdonald-Stewart Art Centre, Guelph, ON. AWARDS and GRANTS (Selected) 2007 Waterloo Regional Arts Council Grant for publication on Images for Words/Memory for Things exhibition 2002 Elected to the Royal Canadian Academy of Arts 2002 Awarded Kitchener-Waterloo Arts Award for Visual Arts 2001 Honourable Mention, Ernst & Young Great Canadian Printmaking Competition 1996 Canada Council "B" Grant. 1995 UW Social Science and Humanities Grant Award. 1994 Ontario Arts Council Project Grant. 1993 Ontario Arts Council Project Grant. 1991 Canada Council "B" Grant. 1988 Ontario Arts Council Professional Grant. 1985 Canada Council - Paris Studio. 4 month residency. VISITING ARTIST (Selected) 2008 Guest Artist, Georgian College, Barrie 2006 Guest Artist, McMaster University, Hamilton 2003 Guest artist, Nova Scotia College of Art and Design, Halifax. 2001 Canada Council Visiting Artist, Lakehead University, Thunder Bay. 1999 Canada Council Visiting Artist, University of Saskatchewan. Saskatoon and University of Regina. 1991 Guest artist, Open Studio, Toronto, On. 1991 Visiting artist, Art Gallery of Peterborough. Sponsored by Art Gallery of Ontario "Artists' with Their Work Program". Lectures and workshops on sculpture, in conjunction with solo exhibition. 1991 Visiting Artist, Tom Thompson Memorial Art Gallery, Owen Sound. Sponsored by Art Gallery of Ontario "Artists' with Their Work Program". Lectures and workshops on sculpture, in conjunction with solo exhibition. 1991 Canada Council Visiting Artist, University of Windsor. 1990 Guest artist, Colour Xerox project, Visual Arts Ontario. 1989 Visiting artist, White Water Gallery, North Bay. Sponsored by Art Gallery of Ontario "Artists' with Their Work Program" Lectures and workshops in conjunction with solo exhibition. 1989 Canada Council Visiting Artist, University of Saskatchewan, Saskatoon. 1987 Visiting artist, James Bay Education Centre, Moosonee, Ontario. 1986 Canada Council Visiting Artist, University of British Columbia, Simon Fraser University, Burnaby, Emily Carr School of Art and Design. 1986 Visiting artist, St. Lawrence College, Kingston and Kingston Artists Association. Sponsored by Art Gallery of Ontario "Artists' with Their Work Program". Lectures and workshops in conjunction with solo exhibition. 1986 Visiting artist, Laurentian University Museum and Arts Centre, Sudbury. Sponsored by Art Gallery of Ontario "Artists' with Their Work Program". Lectures and workshops in conjunction with solo exhibition. 1986 Visiting artist, Thunder Bay National Exhibition Centre, Thunder Bay. Sponsored by Art Gallery of Ontario "Artists' with Their Work Program". Lectures and workshops in conjunction with solo exhibition. COLLECTIONS (Selected) Department of Foreign Affairs Art Gallery of Nova Scotia National Capital Commission- Governor-General's Residence, Ottawa Museum of Contemporary Art , North York Art Gallery of Hamilton Kitchener-Waterloo Art Gallery Citicorp Canada, First Canadian Place, Toronto Canada Council Art Bank, Ottawa Detroit Edison Ontario Hydro, Toronto Art Gallery of Nova Scotia Ernst and Young Canada Permanent Trust, Toronto Toronto-Dominion Bank First Federal Savings, Detroit Kitchener-Waterloo Art Gallery Macdonald Stewart Art Centre, Guelph McDonald's Corporation, Chicago, Illinois Various Private Collections. BIBLIOGRAPHY 2010 blogTO. "Art Agenda: Eli Langer and Jane Buyers at Paul Petro". www.blogto.com/arts/2010/07. 2008 Catalogue, Pictured: Image and Object in Canadian Sculpture. Essay by Ray Cronin. Art Gallery of Nova Scotia. 2008 Toronto Life. March, p. 128. David Balzer, "Not Just a One Night Stand". 2007 Descant: Margins and Borders. 137, Vol 38, No. 2. Summer 2007 p.151-156. "Inscriptions" portfolio 2007 Elmira Independent, Sept 21, p.20. Chuck Kuepfer, "Gallery explores Still Life theme". 2006 The Globe and Mail, Saturday, Oct 7, p.R16. Gary Michael Dault. "Natural Selection at Paul Petro Contemporary Art". 2006 The Globe and Mail, Saturday, November 15. P.R12. Gary Michael Dault. "Black rose works make deep impression." 2006 ESPACE: Sculpture, Vol 75, Spring. p.41. Margaret Rodgers 2006 Fusion, Winter 2006, Vol. 30 No.1. Front cover, p.14-15, 23. Gil McElroy 2006 Kitchener-Waterloo Record, Fri., February 24, 2006, p.D4.Robert Reid 2006 Hours, 28 Septembre. p.4 2006 Ici, 25 Octobre, p.51 2006 Le Devoir, 14-15 octobre, p.E3. René Viau. 2006 Mirror, 11 octobre, p.56. Christine Redfern. "Fiction Addiction" 2005 The Globe and Mail, Saturday, December 31. p.R10. Gary Michael Dault, "Suitcase at Harbourfront Centre". 2005 Catalogue, Inscriptions. Texts by Carol Podedworny, Ann Ireland and Robert Enright. Robert McLaughlin Gallery and University of Waterloo Art Gallery. 2005 Rapport, no. 2-2005, p.3-8, "Norwegian Graphics". Elin Gabrielson. 2004 Ottawa Citizen, Saturday, June 26, p.F5. Paul Gessell 2002 Kitchener-Waterloo Record, "Gallery Stratford exhibits art of books, craft of book-making". Wednesday, November 20, p.A12. Robert Reid. 2002 La Nazione, Florence, Italy. "L'opulenze che finanzia i restauri". 2001 Great Lakes Logia, ed. Joe Blades, Broken Jaw Press, Fredericton, New Brunswick. Artworks, poetry, writing on the Great Lakes to accompany exhibition Great Lakes, Harbourfront, Toronto. 2001 Catalogue, The Cheshire Cat: Artbook art, Grimsby Public Gallery, Grimsby, Ontario. Text by Alisa Cunnington. 2000 Catalogue, The Single Tree. Text by Laura Millard, The Single Tree exhibition, London Regional Art and Historical Museums, London, Ontario. 2000 Montreal Gazette, June 10, p.J2, "Cultivating a garden of the imagination: where nature and culture meet", Henry Lehmann. Review of exhibition "Cote cour, cote jardin", Galerie Art Mur, Montreal, Quebec. 2000 The Kitchener-Waterloo Record, Kitchener, July 22, p.E4, "Sculpture commemorates brewing industry", Donna Cooper. Review of "John Labatt Barley Field" public sculpture, Waterloo. 2000 Now Magazine, Toronto. Nov. 23-29, p.83. "Cool Tools", Deirdre Hanna. 1999 Tessera, "Coincidence of the Page" Vol. 27. winter. p.58, 59. Visual work. York University, Toronto; Université de Montréal, Montreal. 1998 Brochure, Israel at Fifty: Echoes of the Past, Visions For the Future. Kate Regan curator. The Art Committee for the Israel at 50 Pavilion, Canadian National Exhibition, Toronto. 1997 Dictionary of Canadian Artists, Colin S. MacDonald 1997 The Globe and Mail, Toronto, November 22, p.C16. "A garden of artistic delight", Gillian Mackay. Review of exhibition Folio. Paul Petro Contemporary Art, Toronto. 1997 Tessera: Work/le travail, Volume 22, p.68-70. Visual work. York University, Toronto. 1996 Catalogue, Folio. Texts by Lynne Bell and Carol Podedworny, Folio exhibition, Kitchener-Waterloo Art Gallery 1995 C Magazine, Toronto, Spring 1995, p.56, Carol Podedworny. Review of exhibition Pratica, Woodstock Art Gallery 1993 Catalogue, DECALOG-TEN YEARS OF YYZ, YYZ, Toronto with introductory essay by Barbara Fischer. 1992 The Globe and Mail, Toronto, October 16th. Kate Taylor, review of exhibition Prossimita e Distanza, Garnet Press Gallery, Toronto. 1992 Citta Nuova, Rome, Italy. no. 11, June, "Mostre". Review of exhibition Prossimita e Distanza, Canadian Cultural Centre, Rome. 1992 La Repubblica- Trovaroma, Rome. Italy. May 21-27. p.38. "Il Piacere dell' Occhio". Review of exhibition Prossimita e Distanza, Canadian Cultural Centre, Rome. 1992 Catalogue, La Memoire postmoderne: Essai sur l'art contemporain, Mark Cheetham, postface de Linda Hutcheon. 1991 Catalogue, REMEMBERING POST MODERNISM: Trends in Recent Canadian Art. Mark Cheetham with Linda Hutcheon, Oxford University Press. Memory Work: the Post Modern Impulse in Canadian Art exhibition, London Regional Art and Historical Museums, London, Ontario. 1991 Brochure Memory and Subjectivity. Text by Janice Andreae, Memory and Subjectivity exhibition, Garnet Press Gallery, Toronto. 1989 Parachute, Montreal, Issue 54, Spring/Summer, p.69-70. Janice Andreae, review of exhibition Industry and Idleness. Garnet Press Gallery 1988. 1988 The Globe and Mail, December 17, p.C17, John Bentley Mays. Review of exhibition Leaf, Garnet Press Gallery. 1988 Canadian Art, Toronto, Summer '88, p.31, Peter Day. Review of exhibition, Industry and Idleness. Garnet Press Gallery. 1986 The Globe and Mail, Toronto, May 15, p. D7. "A timely reminder of common ground" Carol Corbeil. Review of exhibition The Interpretation of Architecture. Organized by YYZ, Toronto, in 7 downtown locations. 1986 Catalogue, The Interpretation of Architecture. Text by Andy Patton. YYZ, Toronto. Guest curated for YYZ by Andy Patton, Janice Gurney and Alan Tregebov, in 7 downtown Toronto locations. Essay by Andy Patton. 1986 The Globe and Mail, Toronto, May 17. "Art and architecture: a meeting of minds", Adele Freedman. Review of exhibition The Interpretation of Architecture. Organized by YYZ, Toronto, in 7 downtown locations. 1985 C Magazine, Winter no. 4, p.12-18. "The Almost Free Spirit in Toronto Painting and Sculpture", Donald Kuspit. 1985 Brochure, Subjects and Objects: Contemporary Sculpture, Macdonald Stewart Art Centre, Guelph. Text by Ingrid Jenkner, curator. 1984 Arts Atlantic, Spring vol. 5, no. 3, p.8, "Mixing Memory and Desire: Jane Buyers", Hamilton, 1983-84. 1984 Vanguard, Vancouver, March vol. 13, no. 2, p.45. "Jane Buyers", Andy Fabo. Review of Mixing Memory and Desire. Art Gallery of Hamilton, 1983-84. 1984 C Magazine, Toronto, Fall no. 3, p. 76-84. Catalogue, The New City of Sculpture. Introduction by Bruce Grenville. 1984 The Globe and Mail, Aug. 23. "A neglected art gets the attention it truly deserves", John Bentley Mays. Review of The New City of Sculpture. Organized by YYZ and Mercer Union, Toronto. 1984 The Globe and Mail, Aug. 25, p. E11. "The Coming of age of Toronto Sculpture", John Bentley Mays. Review of The New City of Sculpture. 1984 The Globe and Mail, Toronto, Oct. 4, p. E7. "Storytelling sculptors rout the formalists", John Bentley Mays. Review of exhibition Something to do with Space. Art Gallery at Harbourfront, Toronto. 1984 Catalogue/Artist's Book, Mixing Memory and Desire. Text by Andrew J. Oko, curator. Mixing Memory and Desire exhibition, Art Gallery of Hamilton, 1984-84. 1984 Vanguard, Vancouver, Nov., vol. 13, no. 9, p.33-34. Goldie Rans. Review of The New City of Sculpture. 1984 Brochure, Something to do with Space. Art Gallery at Harbourfront, Toronto. Text by Richard Sinclair, curator. 1984 Toronto Star, Aug. 26. "New City of Sculpture exhibit is a feast for the eyes and ears", Christopher Hume. Review of exhibition. 1982 Catalogue, O Kromazone: Die Anderen von Kanada, Das Institut Unzeit, West Berlin, Germany. Text by Andy Fabo. 1983 Toronto, Spring, p 8-12. "Rumour of Burnt Paint Brushes: Reflections on OKanada at the Akademie der Kunste, Berlin", Peter Hans Gopfert / trans. Sylvia Wilson 1983 The Globe and Mail, Toronto, Sat. Oct. 22, p.13. "An anti-home show that weds art to fashion", Adele Freedman. Review of exhibition Chromaliving 1983 The Globe and Mail, Toronto, Sat., Oct. 22 p.13. "Chromaliving proves traditions are dead", John Bentley Mays. 1982 The Globe and Mail, Toronto, Sat. Sept. 11, p.11. "Monumenta: promising but haunted", John Bentley Mays. 1982 The Globe and Mail, Toronto, Sept. 3. "Drawing notice to new art", John Bentley Mays. Review of exhibition Monumenta. |