Iain Baxter & The N.E. Thing Company Baxter has been a practicing artist since 1956, in 1966-78 worked with Ingrid Baxter as the N.E. Thing Company. EDUCATION 1964         Washington State University, Master of Fine Arts in Painting, Pullman, Washington 1962         University of Idaho, Master of Education, Moscow, Idaho 1961         Kyoto University, Department of Fine Arts, Kyoto, Japan 1959         University of Idaho, Bachelor of Science in Zoology, Moscow, Idaho        SOLO EXHIBITIONS 2000         Iain Baxter, Vacuum Forms, Catriona Jeffries Gallery1965, Vancouver, British Columbia 1999         N.E. THING CO.: Selected Works 1967-70, Catriona Jeffries Gallery, Vancouver, British Columbia 1999         Animal Preserve, Catriona Jeffries Gallery Vancouver, British Columbia 1999         Walter Phillips Gallery, Iain Baxter, Landscape Work, Banff, Alberta, curated by Melanie Townsend 1997-98    Iain Baxter, Place Products & Phenomenon, Art Gallery of Hamilton, Hamilton, Ontario 1996         Products, Place & Phenomenon, Art Gallery of Windsor, Windsor, Ontario 1996         Stuffed Animals - A Pod of Walruses,  Art Gallery of Windsor, Windsor, Ontario 1996         You are now in the Middle of a N.E. Thing Co. Landscape: Works by Iain and Ingrid Baxter, 1965-1971,                  Art Gallery of Windsor, Toronto, Ontario, organized by Morris and Helen Belkin Art Gallery,                 University of British Columbia, curated by Nancy Shaw and William Wood 1995         N.E. Thing Co. The Ubiquitous Concept, Oakville Galleries, Centennial Gallery, Oakville, Ontario,                 curated by Derek Knight 1994         Landscapes, Courtenay, Arts Alliance Gallery, British Columbia 1994         Landscapes and Still Lives, Gallery Moos, Toronto, Ontario 1994         NO-KNOW, Lake Galleries, Toronto, Ontario 1993         You are Now in the Middle of an N.E. Thing Co. Landscape, Fine Art Gallery, University of British Columbia,                 major retrospective, Vancouver, British Columbia 1992         Retrospective Exhibition of Iain Baxter’s Multiple Works 1960 - 1992Art Metropole, Media Works, , Toronto, Ontario 1991         Carmen Lamanna Gallery, Toronto, Ontario 1990         Iain Baxter, Some Early Photography, Carmen Lamanna Gallery, Toronto, Ontario 1988         White Winter Show, Faculty of Environmental Design Gallery, University of Calgary, Alberta                 (performance and exhibition shown on CNN TV) 1987         Food for Thought, Walter Phillips Gallery, Banff, Alberta 1985         Malaspina College, Nanaimo, British Columbia 1984         Polaroid Photo-Art, Peterborough Art Gallery, Peterborough, Ontario 1982         Baxter - Any Choice Works, 1965-70, Art Gallery of Ontario, Polaroid Photo-Art, Toronto, Ontario 1982         Valery Burton Gallery, Toronto, Ontario 1981         Iain Baxter, Instataneous Response - Polaroid Photo Art, Alberta College of Art, Calgary, Alberta 1981         Reflected Paris Beauty Spots, Canadian Cultural Centre, Paris, France 1981         Gemeentemuseum, Iain Baxter - Polaroid Photo Art, Den Haag, Holland 1980         Bau-Xi Gallery, Toronto, Ontario 1980         Bau-Xi Gallery, Vancouver, British Columbia 1980         N.E. Thing Co. Ltd., Polaroid Works, The Hague, The Netherlands 1979         Earthworks:  Symposium, Seattle Civic Centre, Seattle, Washington 1977-78    Another 2 Projects:  People/Language & Eye Scream Restaurant, Vancouver Art Gallery,                 Vancouver, British Columbia 1976         Iain Baxter: Celebration of the Body, Agnes Etherington Gallery, for the 1976 Olympics, Queen’s University,                 Kingston, Ontario 1974         (Sensitivity Information, Language-Sex), Bau-Xi Gallery, N.E. Thing Co. Ltd. Vancouver, British Columbia 1974         (Sensitivity Information research on snow, ice, water, the North and the general phenomenon of winter),                 Peter Whyte Gallery, N.E. Thing Co. Ltd. Banff, Alberta 1973         N.E. Thing Co. Ltd. Project Department (VSI, MSI, SSI, ESI) = SI: Celebration of the ordinary, retro-aesthetics,                 lithograph-photographed, aesthetics of deception, singing, videotapes, language and colour, Hockey Team, Pisa -                 Galileo’s experiement seen, Loch Ness Monster, Half meal one year half meal, Reversal of Columbus’s voyage,                 Alphabet - 26 sculptures and They had issue) York University Gallery,  Toronto, Ontario 1971         N.E. Thing Co. Ltd., Sonnabend Gallery, New York, New York 1971         Richard Demarco Gallery, Cancellation, Edinburgh, Scotland 1971         Radio and T.V. Ads, N.E. Thing Co. Ltd.,, Univeristy of Alberta Fine Arts Gallery, Edmonton, Alberta 1971         Display Videotaped/Videotape Displayed, N.E. Thing Co. Ltd., Simon Fraser University, Vancouver, British Columbia 1971         Lithograph Photographed, Nova Scotia College of Art and Design, Halifax, Nova Scotia 1971         N.E. Thing Co. Ltd., membership and activities, Vancouver Board of Trade, Vancouver, British Columbia 1970         Network, Transmission of V.S.I. between several schools and the N.E. Thing Co. Ltd. Headquarters in                 North Vancouver, using Telex and Telecopiers - hookups were establishedbetween Pacific Lutheran College,                 Tacoma, Henry Gallery, Seattle, University of British Columbia, Vancouver, Nova Scotia College of Art and Design,                 Halifax and Museum of Modern Art, New York 1970         N.E. Thing Co. Ltd., Booth, Data Processing Managers Association International Conference and Business Exposition,                  Seattle, Washington 1970         Bayshore Inn, Data Information Processing Exhibition, Session 70, N.E. Thing Co. Ltd. Booth,                 Vancouver, British Columbia 1970         North American Time-Zone Photo-V.S.I. Simultaneity, N.E. Thing Co. Ltd., Photography and Publications Department,                 Protect-Rivikin Gallery, Washington 1969         N.E. Thing Co. Ltd., (Company Environment) National Gallery of Canada, Ottawa, Ontario 1969         Ecological Projects N.E. Thing Co., Charlottetown Confederation Centre, Charlottetown, Prince Edward Island 1969         Trans-V.S.I., Halifax - Vancouver Connection with Nova Scotia College of Art and Design and                 N.E. Thing Co. Ltd. By telex, telecopier, telephone and telegram 1969         Edmonton Art Gallery, Environmental Works, Edmonton, Alberta 1969         Ecological Projects, Project Department, N.E. Thing Co., Ltd., Washington State University, Pullman, Washington 1969         Building Structures N.E. Thing Co., Carmen Lamanna Gallery, Toronto, Ontario 1969         Department Displays, N.E. Thing Co., Carmen Lamanna Gallery, Toronto, Ontario 1968         Gallery 669, Los Angelos, California 1968         Piles, Fine Arts Gallery, University of British Columbia, Fine Arts Festival, Vancouver, British Columbia 1968         10 Year Product Review, N.E. Thing Co. Ltd., Simon Fraser University, Vancouver, British Columbia 1968         A Fence, as Dance, Theatre, Music & Sculpture, N.E. Thing Co. Ltd., Tape Music Centre, Mills College, production,                 Oakland, California 1967         Douglas Gallery, N.E. Thing Co. Ltd., Centennial Project, Vancouver, British Columbia 1966         York University, Toronto, Ontario 1966         McIntosh Art Gallery, University of Western Ontario, London, Ontario 1966         Norman MacKenzie Art Gallery, Regina, Saskatchewan 1966         Rolf Nelson Gallery, Los Angeles, California (2 shows, June and November) 1966         N.E. Thing Co Ltd., Albert White Gallery, Toronto, Ontario 1966         Vancouver Art Gallery, Vancouver, British Columbia 1966         N.E. Thing Co. Ltd., Art Gallery of Greater Victoria, Victoria, British Columbia 1966         Bagged Place, Fine Art Gallery, University of British Columbia, Exhibition/Installation/Environment,                 Festival of Fine Arts, Vancouver, British Columbia 1965         “Beauty through Destruction, Disintegration and Disappearance” The disappearance of 2 tons of ice by flame,                 rain and air, Festival of Fine Arts, Performance University of British Columbia, Vancouver, British Columbia 1964         Washington State University, Pullman, Washington 1961         Yamanda Contemporary Gallery, Kyoto, Japan 1958         University of Idaho, Moscow, Idaho 1956         Looking, Peyto Lake, Banff National Park, photo project, Banff, Alberta GROUP EXHIBITIONS                    1999         Out of this Century, Vancouver Art Gallery, Vancouver, British Columbia 1999         Making it New!  Glenbow Museum, Curated by Bob McCaskal, Calgary, Alberta 1999         Sixteen Hundred Miles North of Denver, Morris and Helen Belkin Gallery, curated by Scott Watson,                 Vancouver, British Columbia 1999         Earthworks Revisited, Seattle Art Museum, Seattle, Washington (20th anniversary of Earthworks:                 Land Reclamation as Sculpture, 1979) 1997         Man, Machine & Marcel Duchamp, Glenbow Museum, Calgary, Alberta 1997         New Acquisitions, Art Gallery of Windsor Collection, Art Gallery of Windsor, Windsor, Ontario 1997         Art Gallery of Windsor, Windsor Collects, Windsor, Ontario 1997         Geographies, City Museum, Corsica, France, Curated by Christophe Dominio 1995         Reconsidering the Object of Art, 1965-1975, The Museum of Contemporary Art, Los Angeles, California,                 curated by Ann Goldstein and Anne Rorimer 1995         How Red Works, Art Gallery of Hamilton, Ontario curated by Ihor Holubizky 1995         Managing 1967-1974, 20th Anniversary Exhibition from the collection of Art Metropole, Toronto, Ontario 1995         The Intermedia Society,  Art Metropole, Toronto 1995         Art Metropole:  20 Years of Publishing, Art Gallery of Ontario, Toronto, Ontario 1995         Mischief & Mirth, Oakville Art Gallery, Oakville, Ontario 1994         Conceptual Art: The NSCAD Connection 1967-1973, Anna Leonowens Gallery, Halifax, Nova Scotia 1994         International Exhibition of Conceptual Art, The Museum of Contemporary Art, Los Angeles, California 1993         Faculty Exhibition, Mackenzie Hall, UAAC Conference Reception 1993         Reflecting Paradise, Expo 93, Canadian Pavillion, Taejon, Korea, curated by Jeffrey Spalding 1993         The Search for Colour:  A Survey of Selected Photographic Processes from the Permanent Collection,                 Detroit Institute of Arts, Detroit, Michigan 1993         Reopening Exhibition:  selections from the permanent collection, Art Gallery of Ontario, Toronto, Ontario 1993         Postcard Show, Common Ground, Windsor, Ontario 1993         Art on the Edge, Public Art Ideas Competition for Toronto’s Inner Harbour, Harbour Front Project, Toronto, Ontario 1993         Southwest Biennal 1993, Art Gallery of Windsor, Windsor, Ontario 1993         Art About Place, Museum of Art, Seoul, Korea 1992         Gallery 76, On Line, Toronto, Ontario 1991         New Acquisitions, Art Metropole, Toronto, Ontario 1991         Projections, Castello di Rivara Gallery, Torino, Italy 1991         Carmen Lamanna Auction Exhibition, Carmen Lamanna Gallery, Toronto, Ontario 1991         Learn to Read Art, Basel Art Fair, Basel, Switzerland 1990-91    Learn to Read art - Artist’ Books, Art Gallery of Hamilton, Hamilton, Ontario 1990         Some Early Photography, Carmen Lamanna Gallery, Toronto, Ontario 1989         Fear of Others: Art Against Racism, World Fair Pavilion, Vancouver, British Columbia 1989         Picturing California:  A Century of Photographic Genius, Oakland Museum, Oakland, California 1989         Members Exhibition, Royal Canadian Academy of Artists, Toronto, Ontario 1989         Art Exchange, University of Windsor Faculty at West Virginia University, Morgantown, West Virginia 1989         ,Annual Faculty Exhibition, University of Windsor, Windsor, Ontario 1988         Opening Exhibition, National Gallery of Canada, Ottawa, Ontario 1988         Nickle Art Gallery, Out-Side-In, Calgary, Alberta 1988         Survey ’88, Alberta College of Art, Calgary, Alberta 1988         L’Artiste au Jardin, Rimuski Museum of Art, Rimuskim Quebec 1988         Lethbridge Collection, Calgary, Alberta 1988         Museum of Modern Art and Oakland Art Museum 1988         Faculty Exhibition, Alberta College of Art, Calgary, Alberta 1987         Multiples Contemporary Prints from the Glenbow Collection, Glenbow Museum, Calgary, Alberta 1987         My Country is Winter, The New Gallery, Calgary, Alberta 1987         From Sea to Shining Sea, (Bagged Place), Power Plant Gallery, Toronto, Ontario 1986         Faculty Show, Alberta College of Art, Calgary, Alberta 1985         In Grande Scale:  touring exhibition, Vancouver, Toronto, Winnipeg           1984         Selected View - Longstaff Collection 1959 - 84, Vancouver Art Gallery, Vancouver British Columbia 1984         Beyond the Malahat, Open Space Gallery, Victoria, British Columbia 1984         Eroticism in Art (from the Canada Council Collection) Concordia Unviersity, Montreal, Quebec 1984         Sequences, Peterborough Art Gallery, Peterborough, Ontario 1984         Vancouver Art Gallery Vancouver Art and Artistis 1931 - 1983, Vancouver, British Columbia 1984         Museums by Artists, Art Gallery of Ontario, Toronto, Ontario 1982         Selections I, Koln, organised by Polaroid Corporation 1982         Selections I, Dusseldorf, organised by Polaroid Corporation 1982         Selections I, Copenhagen, organised by Polaroid Cororation 1981         Gemeentemuseum, Polaroid Works, Hague, Holland 1980         Pluralitiies (19 Canadians), National Gallery of Canada, Ottawa, Ontario 1980         Art Gallery of Ontario, 10 Canadians in the 80’s, Toronto, Ontario 1980         10 Canadians in the 80’s, Leverkusen 1980         10 Canadians in the 80’s, Brussels, Belgium 1980         10 Canadians in the 80’s, Copenhagen, Denmark 1979         Seattle Art Musuem, Earthworks, Seattle, Washington 1978         30 Canadian Sculptors at Harbourfront Gallery, Harbourfront Gallery, Toronto, Ontario 1978         10 Canadian Artists, Kunstmuseum, Basel, Switzerland 1978         13 Cameras, Vancouver Art Gallery, Vancouver, British Columbia 1977         Transparencies, from Canada Council Art Bank Collection, toured Canadian capital cities for one year 1977         True Confections, Burnaby Art Gallery, Burnaby, British Columbia 1976         West Coast Waves, Winnipeg Art Gallery, Winnipeg, Manitoba 1975         One of 17 Canadians Show, Vancouver Art GalleryVancouver, British Columbia, curated by Alvin Balkind 1974         One of 187 Canadians Show,  Art Gallery of Ontario, Toronto, Ontario 1974         Investigations (N.E. Thing Co.), Owens Art Gallery, Sackville, New Brunswick 1973         Banff Centre Faculty Exhibition, Walter Phillips Gallery, Banff, Alberta 1973         North American Video Exhibition, Syracuse Art Museum, Syracuse, New York 1973         North American Video Exhibition, Seattle Art Museum, Seattle, Washington 1973         University of California Gallery, C. 7,500, Berkley, California, organised by Lucy Lippard 1972         Vesuvio Projects, Henry Gallery, Seattle, Washington, organised by Jan Van der Marek 1972         Realism, Emulsion and Ommission, Agnes Etherington Art Centre, Queen’s University, Kingston, Ontario 1972         Collection Art of the 70’s, Seattle Art Museum, Seattle, Washington 1972         Mail Art, Paris Biennial, Paris, France, curated by Jean Poinsot 1972         Soft Ware Show, Guggenheim Museum, New York, New York, organised by Jack Burnham 1971         49th Parallels, Chicago Museum of Contemporary Art, Chicago, Illinois, organized by Dennis Young 1971         The Boardwalk, Protetch-Rivkin, Washington, DC 1971         Pacific City Loans Exhibition, Vancouver Art Gallery, Vancouver, British Columbia 1971         Lithographs, organized by Nova Scotia College of Art and Design and toured by the National Gallery of Canada 1971         Situation Concepts, Galerie im Taxispalais, Innsbruck, Austria 1971         Top Bos Art, Illinois State University Normal, Illinois 1971         Concept Art, Sir George Williams University, Montreal, Quebec 1971         Contact:  The Northwest, Seattle Centre, Seattle, Washrinton 1970         Almanac(h), C.B., National Film Board Still Photography Division, B.C., Ottawa, Ontario 1970         Information, Museum of Modern Art, New York, New York, organized by Kynanston McShine 1970         Conceptual Art and Conceptual Aspects, New York Cultural Center, New York, New York,                 organized by Donald Karshan 1970         Oberlin College, Art in the Mind, Ohio, organized by Athena Spear 1970         Art by Telephone, Chicago Museum of Contemporary Art, Chicago, Illinois, organized by                 Jan Van der Marck (33 1/3 record) 1970         Vancouver Art Gallery, 950,000, Vancouver, British Columbia, organized by Lucy Lippard 1970         Concept Art, Art Povera, Land Art, Turin, Italy, organized by Germano Celant 1970         A Plastic Presence, Jewish Museum, New York, New York 1970         The Highway, Rich University, Houston, Texas, organized by Steven Prokopoff at the Institute of Contemporary Art,                 University of Pennsylvania 1970         Survey 70, Montreal Museum of Fine Arts, Montreal, Quebec 1970         Survey 70, Art Gallery of Ontario, Toronto, Ontario 1969         10th Sao Paolo Biennial, Paolo, Brazil, represented Canada with Greg Curnoe and Robert Murray, Sao 1969 1969         Seattle Art Museum, 577,087, Seattle Washington 1969         Place and Process, Edmonton Art Gallery, Edmonton, Alberta, organized by William Kirby 1969         Concept Art, Leverkusen City Museum, Leverkusen, Germany, organized by Konrad Fischer 1969         Art Inside the Arctic Circle, Edmonton Art Gallery, Edmonton, Alberta, organized by Lucy Lippard and William Kirby,                 projects carried out at Inuvik, North West Territories 1969         Simon Fraser University, May 19 - June 19, Vancouver, British Columbia, organized by Seth Sieglaub 1969         New Art of Vancouver, Newport Harbour Art Museum, Balboa, California, organized by T. Garver 1969         Survey 69, Montreal Museum of Fine Arts, Montreal, Quebec 1969         The Moon Show, Massachusetts Institute of Technology, Cambridge, Massachusetts 1969         Ceramics, Nova Scotia College of Art and Design, Halifax, Nova Scotia 1969         Return of Abstract Expressionsism, Richmond Art Center, Richmond, California 1969         Summer Show, catalogue as exhibition organized by Seth Sieglaub, artists included:                  Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Richard Long, Iain                 Baxter, N.E. Thing Col, LTd., Robert Smithson, Lawrence Weiner 1969         New York Museum, March, catalogue as exhibition organized by Seth Sieglaub, (31 artists each given 1 of 31 days),                 New York, New York 1969         Swan Gallery, Language III, New York, New York 1969         Canada Council Collection, toured Canada through National Gallery of Canada 1969         University of British Columbia, Photographs, Vancouver, British Columbia, organized by Charlotte Townsend 1969         12 x 11 x 31 1ž2 x 13 1ž2, San Francisco Institute of Art, San Francisco, California 1969         New Multiple Art, Arts Council of Great Britain, London, England 1969         Visual Arts Gallery, Groups, School of Visual Arts, New York, New York, organized by Lucy Lippard 1969         The Highway, ICA Gallery, University of Penn, Philadelphia, Pennsylvania 1969         Plastic Presence, New York and Milwaukee 1968         Art Gallery of Greater Victoria, Younger Vancouver:  Cross Section, Victoria, British Columbia 1968         Paula Cooper Gallery, 28 Artists, New York, New York 1968         Canadian Art - Aujourd’hui, 14 Canadian artists, toured to: Brussels, Rome Paris, Lucerne,                 organised by the National Gallery of Canada 1968         Soft Sculpture, toured art galleries in major cities in the U.S.A., organised by Lucy Lippard for the                 American Federation of Arts 1968         New Media, New Directions, Museum of Modern Art, New York, New York, organised by Kynaston McShine 1968         Canada 101, Edinburgh Festival of Arts, Edingurgh, Scotland, organised by David Silcox 1968         Reflections/Transparency, California State College Gallery, Fullerton, California 1968         Canadian Artists 68, Art Gallery of Ontario, Toronto, Ontario, organised by Dennis Young 1968         7th Biennial of Canadian Art, National Gallery of Canada, Ottawa, Ontario, organised by William Sietz 1968         West Coast Now, toured West Coast for one year:  L.A. San Fracisco, Portland, Seattle, organised by the                 Portland Art Museum 1968         Younger Vancouver Sculptors, Unviersity of British Columbia, Vancouver British Columbia, organised by                 Alvin Balkind 1968         Henry Saxe & N.E. Thing Col Ltd., toured capital cities in Canada for one year, organised by the                 National Gallery of Canada 1968         Third Triannial International Exhibition of Prints and Drawings, Chile, South America 1968         Fashion Show, N.E. Thing Co. Ltd., Burnaby Art Gallery, Burnaby, British Columbia 1968         -Western Printmakers, Calgary, Edmonton, Regina, Vancouver 1967         4th National Burnaby Print Show, Burnaby Art Gallery, Burnaby, British Columbia 1967         Perspective 67, Art Gallery of Ontario, Canadian Centennial Exhibition, Toronto, Ontario 1967         Centennial  Drawings, Art Gallery of Ontario, Toronto, Ontario 1967         Sculpture 67, City Hall Square, National Centennial Exhibition, Toronto, Ontario, organised by Dorothy Cameron 1967         Joy and Celebration,  University of British Columbia, Vancouver, British Columbia 1967         Plastics, Art Gallery of Ontario, Toronto, Ontario 1967         Bronfman Collection of Canadian Art, Montreal Museum of Fine Art, Montreal, Quebec 1967         Statements 18 Canadian Artist, Norman MacKenzie Art Gallery, Regina, Saskatchewan 1967         Western Paintings 67, Centennial Commission Show, toured western Canada:                  Vancouver, Edmonton, Calgary, Regina, Winnipeg 1966         N.E. Thing Co. & Gary Lee Nova, toured western Canada:  Vancouver, Edmonton, Calgary, Regina, Winnipeg 1966         Directions 66, Vancouver Art Gallery, Vancouver, British Columbia 1967         Painting 66, Vancouver Art Gallery, Vancouver, British Columbia 1967         Canadian Group of Painters, Art Gallery of Hamilton, Hamilton, Ontario 1967         Canadian Group of Painters, Charlottetown Conferderation Gallery, Charlottetown, Prince Edward Island 1967         Newport Scupture Show, Newport Harbour Art Museum, Balboa, California 1967         Toys by Contemporary Artists, Art Gallery of Ontario, Toronto, Ontario 1967         Reflections, La Jolla Art Gallery, La Jolla, California 1965         Spring Show, Montreal Museum of Fine Arts, Montreal, Quebec 1965         Facets B.C., New Design Gallery, Vancouver, British Columbia 1965         Focus on Drawing, Art Gallery of Ontario, Toronto, Ontario 1965         Beyond Regionalism, University of British Columbia, Vancouver, British Columbia 1965         34th Annual Painting Show, Vancouver Art Gallery, Vancouver, British Columbia 1965         6th Biennial of Canadian Art, National Gallery of Canada, Ottawa, Ontario 1965         6th Biennial of Canadian Art, London, England 1964         College in the 60’s, University of British Columbia, Vancouver, British Columbia 1964         Canadian Watercolors, National Gallery of Canada, Ottawa, Ontario 1964         Montreal Museum of Fine Arts, Spring Show, Montreal, Quebec 1964         33rd Annual Painting Show, Vancouver Art Gallery, Vancouver, British Columbia 1963         Drawings U.S.A., St. Paul Art Centre, St. Paul, Minnesota 1963         National Gallery of Canada, 5th Biennial Canada Art Exhibition, Ottawa, Ontario 1962         10th Annual Young Contemporaries of Canada Retrospective, London Public Library and Art Museum,                 London, Ontario 1961         Spring Show, Montreal Museum of Fine Arts, Montreal, Quebec 1960         Young Contemporaries, London Public Library and Art Museum, London, Ontario         PROJECTS 1992         One Canada Video (5,000 miles of videotaped landscape; 100 hours of Canadian landscape) 1988         White Winter Snow (Internationally televised performance in Olympic Plaza, Calgary, Alberta) 1987         Sensitive Information Inc., product and graphic design company, Calgary, Alberta 1982-83    Creative Consultant to S. Oland, President, Labatt Brewing Co., Toronto, Ontario 1982         Instant America, 12,000 mile tour of America, sponsored by Polaroid Corporation, Boston, Massachussetts 1977         Eye Scream Restaurant, 2043 W. 4th Street, Vancouver, British Columbia 1976         Vancouver Magazine, co-founder, Vancouver, British Columbia 1974-75    Established a Cibachrome Photo Lab called N.E. Professional Photo Display Labs Ltd., Vancouver, British Columbia 1972         Edgeley Community Athletics, N.E. Thing Co. Ltd. Hockey team sponsorship, Downsview, Ontario 1970         Conceived and co-organised conference on Art and Computers at Simon Fraser Unviesrity,                 Vancouver, British Columbia 1970         Consultant on program concepts, CBC, Ottawa and CTV, Vancouver, British Columbia 1969         Organised conference on Sensitivity Information, Communications & Ramifications in connection with the N.E. Thing Co.                 Environment at the National Gallery of Canada, Ottawa, Ontario, participants included Brydon Smith, David Silcox,                 Lucy Lippard, Seth Seiglaub, John Chandler, Ann Brodzky, Don Theill, Dennis Reid, Mark Whitney,                 Greg Curnoe and Pierre Theberge 1965         Festival of Fine Arts, Designer of Visual Area of “Medium is the Message”, multisensory public happening,                 University of British Columbia, (described in “Kandy Kolored Tangarine Flaked Streamlined Baby”, by Tom Wolfe) 1963         National Gallery of Canada, Assistant to Russell Harper, Curator of Canadian Art, Ottawa, Ontario                 (Worked on Homer Watson exhibition and catalogue) 1960         Assistant to several curators, Glenbow Foundation, Calgary, Alberta (Compiled natural history material                 and biographies on artists in early west) 1959         Illustrator of bird and animal drawings for a Wildlife Guide to the Northern Rocky Mountains and a                 Wildlife Guide to California 1958-59    Research Assistant to Prof. Earl Larrison, (rodent population and ecology research in Raft River area                 of Southern Idaho and Utah, Biological Science Department, University of Idaho, summer projects COLLECTIONS Art Gallery of Hamilton, Hamilton, Ontario Art Gallery of Ontario, Toronto, Ontario Art Gallery of Windsor, Windsor, Ontario Art Metropole, Toronto, Ontario Brock Hall Collection, Vancouver, British Columbia Canada Council Art Bank, Ottawa, Ontario Detroit Institute of Art, Detroit, Michigan Edmonton Art Gallery, Edmonton, Alberta Gemeentemuseum, The Hague, Netherlands Glenbow Museum, Calgary, Alberta Los Angeles County Museum, Los Angeles, California Montreal Museum of Fine Arts, Montreal, Quebec Museum of Modern Art, New York, New York National Gallery of Canada, Ottawa, Ontario Nickle Art Gallery, University of Calgary, Alberta Norman MacKenzie Art Gallery, Regina, Saskatchewan Owens Art Gallery, Sackville, New Brunswick Robert McLaughlin Gallery, Civic Centre, Oshawa, Ontario University of British Columbia, Vancouver, British Columbia Univeristy of Lethbridge, Lethbridge, Alberta Vancouver Art Gallery, Vancouver, British Columbia Victoria Art Gallery, Victoria, British Columbia York University, Toronto, Ontario PROFESSIONAL EXPERIENCE          Teaching Appointments 1988-         University of Windsor, Department of Visual Arts, Professor, Windsor, Ontario 1985-88      Alberta College of Art, Calgary, Alberta   PUBLISHED WRITINGS and ARTIST PROJECTS by Iain Baxter 1995         “Robert Smithson, A Recollection”, Robert Smithson Exhibition Catalogue, Art Gallery of Ontario, Toronto, Ontario 1992         “Media Works, N.E. Thing Co. Ltd. & Iain Baxter”, Art Metropole, Toronto, March, 1992 1992         Pryke, Ken, W. Soderlund.  Profiles of Canada, Oxford University Press, 1992 1990-91    Wayzgoose, interdisciplinary publication, University of Windsor, (edition of 200). 1988         Olympic Plaza, White Winter Snow performance, Calgary, Alberta, performance shown on CNN 1981         Baxter, Iain and Arends, Helena.  “Netherland Institute of Advanced Studies 10th Anniversary , 1971-81”,                 Netherland Institute of Advanced Studies, The Hague, Holland 1981         Iain Baxter:  Reflected Paris Polaroid Beauty Spots, Canadian Cultural Centre, Paris, France 1980         Fire, Generation, Paris, Artist/poet book, edition of 30, published by Gervais Jassaud 1979         Ever Ready, Iain Baxter, Southern Alberta Art Gallery, exhibition companion, Lethbridge, Alberta 1979         Vancouver Beauty Spots, Iain Baxter, Southern Alberta Art Gallery, exhibition companion, Lethbridge, Alberta 1979         Reflections:  Lethbridge, Iain Baxter, Southern Alberta Art Gallery, exhibition companion, Lethbridge, Alberta 1979         Thrown Camera Photographs, Iain Baxter, Southern Alberta Art Gallery, exhibition companion, Lethbridge, Alberta 1978         N.E. THING CO. LTD. Kunsthall Basel, Vol 1, Exhibition Catalogue, Kunsthall Basel, Switzerland 1978         N.E THING CO. LTD., Another Two Projects:  People/Language and Eye Scream, Vancouver Art Gallery,                 Vancouver, British Columbia 1976         N.E. THING CO. LTD., Celebration of the Body, Agnes Etherington Art Centre, Kingston, Ontario 1972         Made by Man/Woman, one act play written 1968, performed December 1972, Faculty Theatre Lab, Toronto, Ontario 1970         Press Release, Simon Fraser University to 150 international art critics, Vancouver, British Columbia 1970         Environment & Architecture, a published display of artist’ viewpoint, by                 Architecture Canada Magazine, Toronto, Ontario 1970         Book Supplement Show, organised by Seth Seiglaub, for Studio International Magazine, vol. 180, No, 924 1970         N.E. THING CO. LTD., North American Time Zone Photo-VSI Simultaneity, October 18, 1970, Edition III, Vancouver:                 N.E. THING CO. LTD., Edition of 111, Artists/photographers were Chris Pratt, Newfoundland, Gerald Ferguson,                 Halifax, Jack Chambers, London, Ken Lockeed, Winnipeg, Harry Savage, Edmonton, Iain Baxter, Vancouver 1970         N.E. THING CO.,, Trans-VSI Connection NSCAD-NETCO, Nova Scotia College of Art and Design, Halifax, Nova Scotia 1969         Look at the N.E. THING CO./Voyez la Companie N.E. THING, National Gallery of Canada, Ottawa, Ontario 1969         Report on the Activities of the N.E. THING CO. LTD., of North Vancouver, B.C.,                 National Gallery of Canada, Ottawa, Ontario 1968         N.E. THING CO. LTD., A Portfolio of Piles, U.B.C. Fine Arts Gallery, Edition of 555,                 University of British Columbia, Vancouver 1966         Report on the Teaching of Art Using Non-Verbal Techniques, Art Journal, University of Idaho and                 Washington State University, Summer 1966, pp. 370-71, published by the College Art Association of America 1961         Baxter, Baker, Larrison, Yocum.  Wildlife of the Northern Rocky Mountains, Vol. 6 of                 The American Wildlife Region Series),                 Illustrator, Naturegraph Co., Heraldsburg, California 1960         Baxter, Iain, J.W. & Larrison, Earl J.  “The Squirrels of Idaho”, Journal of Idaho Science, Vol 1, No. 41-62 BIBLIOGRAPHY          Catalogues Iain Baxter: Landscape Works, Walter Phillips Gallery, Banff, Alberta, 1999 Making it New! (the big sixties show), Art Gallery of Windsor, Windsor, Ontario, 1999 Sixteen Hundred Miles North of Denver, Morris and Helen Belkin Art Gallery, Vancouver 1999 N.E. Thing Co. The Ubiquitous Concept, Oakville Galleries, Oakville, Ontario, 1995 Reconsidering the Object of Art, 1965-75, The Museum of Contemporary Art, Los Angeles, California, 1995 Conceptual Art - An American Perspective, McFarland & Co., London, 1994 You are Now in the Middle of an N.E. Thing Co. Landscape, University of British Columbia, Vancouver, British Columbia, 1993 Reflecting Paradise, Expo ’93, Taejon, Korea, 1993 Media Works, Art Metropole, Toronto, Ontario, 1992 Fear of Others:  Art Against Racism, World Fair Pavilion, Vancouver, 1989 Picturing California:  A Century of Photographic Genius, Oakland Museum, Oakland, California, 1989 Out-Side-In, Nickle Art Gallery, Calgary, Alberta, 1988 L’Artiste au Jardin, Rimuski Museum of Art, Rimouski, Quebec, 1988 Crown Point Press Prints, Museum of Modern Art and Oakland Art Museum, 1988 From Sea to Shining Sea, Power Plant Gallery, Toronto, Ontario, 1987 Food for Thought, Walter Phillips Gallery, Banff, Alberta, 1987 Selected View-Longstaff Collector 1959-84, Vancouver Art Gallery, Vancouver, British Columbia, 1984 Sequences, Peterborough Art Gallery, Peterborough, Ontario, 1983 Vancouver Art and Artists 1931-83, Vancouver Art Gallery, Vancouver, British Columbia, 1983 Museums by Artist, Art Gallery of Ontario, Toronto, Ontario, 1983 Baxter - Any Choice Works, 1965 - 70, Art Gallery of Ontario, Toronto, Ontario, 1982 Iain Baxter, Instantaneous Response - Polaroid Photo Art, Alberta College of Art, Calgary, Alberta, 1981 Reflected Paris Beauty Spots, Canadian Cultural Centre, Paris, France, 1981 Gemeentemuseum, Iain Baxter - Polaroid Photo Art, Den Haag, Netherlands, 1981 Pluralities, National Gallery of Canada, Ottawa, Ontario, 1980 10 Canadians in the 80’s, Art Gallery of Ontario, Toronto, Ontario, 1980 Earthworks:  Symposium, Seattle Civic Centre, Seattle, Washington, 1979 10 Canadian Artists, Kunstmuseum, Basel, Switzerland, 1978 Another 2 Projects:  People/Language & Eye Scream Restaurant, Vancouver Art Gallery, Vancouver, British Columbia, 1977 Iain Baxter:  Celebration of the Body, Agnes Etherington Gallery, Queens University, Kingston, Ontario, 1976 West Coast Waves, Winnipeg Art Gallery, Winnipeg, Manitoba, 1976 One of 17 Canadians Show, Vancouver Art Gallery, Vancouver, British Columbia, and Art Gallery of Ontario, Toronto, Ontario, 1975 Sensitivity Information. Research by the N.E. Thing Co. Ltd. On Snow, Ice, Water, the North and the General Phenomenon of Winter,  Peter White Gallery, Banff, Alberta, 1973 Realism, Revulsion and Omission, Agnes Etherington Art Centre, Queens University, Kingston, Ontario, 1972 Mail Art, Paris Biennale, Paris, France, 1972 49th Parallels, Chicago Museum of Contemporary Art, Chicago, Illinois, 1971 Lithographs, National Gallery of Canada, 1971 Situation Concepts, Galerie im Taxipalais, Innsbruck, Austria, 1971 Information, Museum of Modern Art, New York, New York, 1970 Conceptual Art and Conceptual Aspects,  New York Cultural Centre, New York, New York, 1970 Art in the Mind, Oberlin College, Ohio, 1970 950,000, Vancouver Art Gallery, Vancouver, British Columbia, 1970 Concept Art - Art Povera:  Land Art, Turin, Italy, 1970 A Plastic Presence, Milwaukee Art Center, Milwaukee, 1970 Survey 70, Montreal Museum of Fine Arts, Montreal, Quebec, 1969 Summer Show, (Seth Siegelaub), 1969 March, (Seth Siegelaub), 1969 A Plastic Presence, Jewish Museum New York, 1969 10th Sao Paulo Biennale, Sao Paulo, Brazil, 1969 577,087, Seattle Art Museum, Seattle, Washington, 1969 N.E. Thing Co., Ltd, National Gallery of Canada, Ottawa, Ontario, 1969 Trans-V.S.I., 1969 Art by Telephone, Chicago, Illinois, Museum of Contemporary Art (Catalogue in form of 33 1ž2 record), 1969 Concept Art, Leverkusen City Museum, Germany, 1969 New Art of Vancouver, Newport Harbour Art Museum, Balboa, California, 1969 March, New York Museum, New York, New York, 1969 New Multiple Art, Arts Council of Great Britain, London, England, 1969 Soft Sculpture, American Federation of Arts, 1968 New Media, New Directions, Museum of Modern Art, New York, New York, 1968 Younger Vancouver: Crossection ’68, Art Gallery of Greater Victoria, Victoria 1968 Canada 101, Edinburgh Festival of Arts, Edinburgh, Scotland, 1968 Canadian Artists 68, Art Gallery of Ontario, Toronto, Ontario, 1968 7th Biennial of Canadian Art, National Gallery of Canada, Ottawa, Ontario, 1968 West Coast Now, Portland Art Museum, Portland, Oregon, 1968 Younger Vancouver Sculptors, University of British Columbia, Vancouver, British Columbia, 1968 Henry Saxe and N.E. Thing Co. Ltd., National Gallery of Canada, Ottawa, Ontario, 1968 Third Triennial International Exhibition of Prints and Drawings, National Gallery of Canada, Ottawa, Ontario, 1968 Transparency/Reflection, Calstate College, Fullerton, California, 1968 4th National Burnaby Print Show, Burnaby Art Gallery, Burnaby, British Columbia, 1967 Perspective 67, Canadian Centennial Exhibition, Art Gallery of Ontario, Toronto, Ontario, 1967 Centennial Drawings, Art Gallery of Ontario, Toronto, Ontario, 1967 Sculpture 67, National Centennial Exhibition, Art Gallery of Ontario, Toronto, Ontario, 1967 Joy and Celebration, University of British Columbia, Vancouver, British Columbia, 1967 Plastics, Art Gallery of Ontario, Toronto, Ontario, 1967 Statements, Norman MacKenzie Art Gallery, Regina, Saskatchewan, 1967 Western Painting 67, Centennial  Commission Show, 1967 Painting 66, Vancouver Art Gallery, Vancouver, British Columbia, 1966 Toys by Contemporary Artists, Art Gallery of Ontario, Toronto, Ontario, 1966 Spring Show, Montreal Museum of Fine Arts, Montreal, Quebec, 1965 Focus on Drawing, Art Gallery of Ontario, Toronto, Ontario, 1965 Beyond Regionalism, University of British Columbia, Vancouver, British Columbia, 1965 34th Annual Painting Show, Vancouver Art Gallery, Vancouver, British Columbia, 1965 6th Biennial of Canadian Art, National Gallery of Canada, Ottawa, Ontario, 1965 Canadian Watercolours, National Gallery of Canada, Ottawa, Ontario, 1964 Spring Show, Montreal Museum of Fine Arts, Montreal, Quebec, 1964 33rd Annual Painting Show, Vancouver Art Gallery, Vancouver, British Columbia, 1964 Drawings U.S.A., St. Paul Arts Centre, St. Paul, Minnesota, 1963 5th Biennial Canadian Art Exhibition, National Gallery of Canada, Ottawa, Ontario, 1963 10th Annual Young Contemporaries of Canada Retrospective, London Public Library and Art Museum, London, Ontario, 1962 Spring Show, Montreal Museum of Fine Arts, Montreal, Quebect, 1961 Young Contemporaries, London Public Library and Art Museum, London, Ontario, 1960 Published Writing on Iain Baxter “7 Fotografen Op Polaroid SX-70.”  Foto Magazine, pp. 36-52, August 1981 “Arts - In Search of Innovation”, Time, December 7, 1970  “Concept Art,” Harper’s Bazaar, April 1970 “Discussion on Cultural Devolution in Canada”, C.B.C. Radio, Sept. 24, 1991 “Environment & Architecture”, published display of artists viewpoints, by Architecture Canada Magazine, Toronto, Ontario, 1970 “Iain Baxter:  Polaroid Photo Art”, Massacultuur, The Hague, Holland, HaagsGemeentemuseum “Ideas & Inspiration, Contemporary Canadian Art”, Pebble Beach Interactive Inc., Ministry of Education, Province of Saskatchewan, 1996 “Jolly Bagman”, Time, September 1, 1967, pg. 4 “One Man Show - Iain Baxter”.  Art-Journal of Contemporary Art, Tokyo, Japan, 1962, pp. 19-21 “Thirteen Essays on Photograph”, published by Canadian Museum of Contemporary Photography, Ottawa, Ontario, 1991 “Trends, Art for Art’s Sake”  Time, February 28, 1969, pp. 46-49 A Report on the Art and Technology Program of the Los Angeles County Museum of Art, 1967-71, Los Angeles, Los Angeles County Museum of Art, 1971 Anderson, Jack.  “Fluffy brings new meaning to the word cute,” The Leader-Post (Regina), Dec 10, 1999 Art Gallery of Ontario, Selected Works, pg. 337, 1990 Atkins, Robert, “A Guide to Contemporary Ideas, Movements & Buzzwords”, Abbeville Press, Pg. 63, 1990 Atkinson, S. & Chisolm, D. “Windsor Postcard Project”, Opinion Magazine, Jan/Feb 1993 August 10, 1991 Balkind, Alvin.  “Vancouver Scene and Unscene”, Art in America, LVIII, No. 1, January 1970, Beatty, Greg.  “Fluffy Art, Sophisticated Connotations,” Prairie Dog, Nov 4, 1999 p. 18 Bentley-Mays, John, “Iain Baxter, Exhibition, Carmen Lamanna Gallery”, Globe and Mail, Arts Section, Jan. 24, 1991 Bentley-Mays, John, “Iain Baxter, Exhibition, Some Early Photography, Carmen Lamanna Gallery”, Globe and Mail, Arts Section, June 8, 1990 Bentley-Mays, John, “Jeff Wall Exhibits”, Globe and Mail, Arts Section, Toronto, March 21, 1997 Bentley-Mays, John.  “Iain Baxter, The Anti-Art of Canadian Identity”.  Globe and Mail, Arts Section, April 28, 1992 Bentley-Mays, John.  “Survey of Pop’s Project Worthwhile for Fan or Foe”, Globe and Mail Arts Section, Oct. 24, 1992 Bentley-Mays, John.  “The Ambiguities of Roy Kiyooka”, Globe and Mail, Jan. 22, 1994 Bentley-Mays, John.  A Most Rebellious Group”, Globe and Mail, Visual Arts Section, Page C, Board of Education, City of London, Ontario, Visual Arts Resource Document and Slide package Bourdon, David.  “What on Earth”  Life Magazine, LXVI, No. 16, April 25, 1969, pp. 80-86 Bringhurst, R., et.al.  Contemporary Art in Canada, Vancouver, B.C., Douglas & McIntyre, 1983 Brown, R. Craig and J.M. Careless, editors.  The Canadians, 1867-1967, MacMillan Co., pp. 709 & 712 Burnett, David and Schiff, Marilyn.  Contemporary Canadian Art, Edmonton, 1983 Canadian Art - 1970 - 1980, Sound, Slide, Media Kit, Art Gallery of Ontario, Toronto, Ontario Canadian Art, p. 15, Spring 1999 Canadian Who’s Who, University of Toronto Press, pg. 56, 1981 Carrington, John.  “Iain Baxter, Artist”.  Probe magazine, Issue #4, March 1992 Celant, Germano and Guest, Tim, Books By Artists, Published by Art Metropole, 1972 Celant, Germano.  OFFMedia, Nuove tecniche artiche: video disco, Publisher Dedalo Libri, Bari, Italy.  Pg. 88, 112, 144, 1977 Columbo, J.R., New Canadian Quotations,  Hurtig Publications, 1987, p. 171 Davis, Douglas.  “The Magic of Raw Life - New Photography”.  Newsweek, April 24, 1972, pp. 46-48, 1972 Drainie, Bronwyn, “The Mall and the Art Gallery of Windsor”, Globe and Mail, July 18, 1996 Fenton, Terry.  “Looking at Canadian Art”, Artforum, VII, No. 1, September 1968, pp. 55-60 Fleming, Marie, L.  Baxter - Any Choice Works, Toronto, Ontario, Art Gallery of Ontario, 1982 Fulford, Robert.  “A Reward for Frivolity”, Toronto Daily Star, February 1967 Garneau, David.  “Natural Double Takes,” Border Crossings, August 1999, p. 52-3 Garneau, David. “Springtime in the Rockies”, Vie des Arts, No. 174, p. 88, 1999 Garneau, David. “Taken’ a trip with Iain Baxter”, FFWD, p. 22, May 13 - May 19, 1999 Genereux, Linda, “Iain Baxter, Carmen Lamanna Gallery”, Artforum, April 1991, P. 134 Goldsmith, Barbara.  “Where is the Art”, Harper’s Bazaar, no. 3102, May 1970, pp. 144-47 Gopnik, Blake.  “Look back in wonder,” Globe and Mail, July 31, 1999 Graham, Colin.  “No Cocoon for Victoria”, The Times, 11 March 1966 Grescoe, Paul, “Steady, Now. Is This Art?” Canadian Magazine, Jan. 25, 1969 Grescoe, Paul.  “Steady Now.  Is This Art?”  Canadian Magazine, January 25, 1969,  pp. 14-17 Hamilton, Richard. Polaroid Portraits, Vo. 1, Stuttgart, London, Reykjavik: Editions, Hansjorg Mayer, 1962 Hanna, Deirdre, NOW Magazine, Arts Section, Toronto, Ontario, April 30, 1994 Hanna, Deirdre.  “Media Works Retrospective of Iain Baxter Revives Corporate Art Identity” Now Magazine, April 9-15, 1992, Toronto, Ontario Hart, Diane.  “Mischief & Mirth: For the Love of Toys”, Beaver Newspaper, Oakville, May 5, 1995 Holubizky, Ihor, “Iain Baxter’s Landscapes”, Arts Alliance, Courtenay, British Columbia, August 1994 Howe, Bridget. “Landscape Works - an intriguing contemporary collection”, Wild Life, p. 25, April 1999 Hume, Christopher, “Iain Baxter, Exhibition, Carmen Lamanna Gallery”, The Toronto Star, Arts Section, Jan 25, 1991 Hutcheon, Linda.  “Splitting Images”, Contemporary Canadian Ironies, Oxford University Press, Toronto, Ontario, pp. 125-27, 1992 Jacobs, Jay, “The Iceman Commeth - Symptoms of the Seventies,” Art in America vol. 1 (Jan-Feb 1970) Jacobs, Jay.  “The Iceman Commeth - Symptoms of the Seventies,” Art in America, Vol 1, Jan-Feb, 1970, p. 63 Janofsky, Michael.  “Calgary Tries a Snow Dance” The New York Times, pg. B8, Feb. 2, 1988 Johnson, Ellen. Modern Art and the Object, Harper & Row, New York, New York, 1976 Jones, Owen.  “Art - Anything You Can Get Away With”, Windsor Star, Entertainment Section, Jones, Owen.  “Tough Job But Someone Has To Do It”, Windsor Star, January 29, 1993 Jones, Scott.  “Discovering the Defeatured Landscape”, Vancouver Anthology, Talon Books, Vancouver, British Columbia, pp. 247-65, 1992 June 10-17, 1999 Kangas, Matthew.  “Earthworks: Land Reclamation as Sculpture,” Vanguard, Feb. 1980 Karshan, Donald.  Conceptual Art and Conceptual Aspects, New York Cultural Centre, New York, New York Kirby, Bill.  Art Bank, Catalogue 1972-92, The Canada Council, Ottawa, Ontario Laviolette, Mary-Beth. “Landscape Artists Travel Different Roads”, Calgary Herald, p. ES4, Learn to Read Art, Art Metropole, Publication, Basel Art Fair, June 1991 Learn to Read Art: Artists Book, Art Gallery of Hamilton, Hamilton, Ontario,1990 Lee, J.J. “Cute and Cruel Meet in Iain Baxter’s Jarred Toy Animals”, Georgia Straight, p. 70, Leider, Philip.  “Vancouver - Scene with No Scene”, artscanada, XXVI, Issue 109/110, June/July 1967, pp 1-8 Leighton, David.  Artists, Builders & Dreamers - 50 years at Banff School, McClelland & Stewart, 1982 Linderman, Earl W.  Teaching Secondary School Art, Published Wm. CC, Brown Company, 1971, p. 236-39. Lippard, Lucy R.  “Iain Baxter:  New Spaces”  artscanada, XXVI, Issue 132/133, June 1969, pp. 3-7 Lippard, Lucy R.  “Notes in Review of Canadian Artists, ‘68”.  Artscanada, XXXVI, Issue 128/129 February 1969, pp. 25-27 Lippard, Lucy R.  Changing:  Essays in Art Criticism, New York, New York, E.P. Dutton & Co. Inc. 1971 Lippard, Lucy R.  Six Years: The Dematerialization of the Art Object from 1966-1972, New York:  Praeger Publishers Inc. 1973 Lippard, Lucy R. “Vancouver”  Art News, LXVII, No. 5, September 1968, pp. 26, 70-71 Lippard, Lucy, “Art Within the Arctic Circle,” Hudson Review no. 22 (Winter 1969-70) Lowndes, Joan.  “Innocence Lost”  Vancouver Province, December 19, 1969 Lowndes, Joan.  “The Plastic World of Iain Baxter.  The Message is - VSI”.  Vancouver Province, February 3, 1967 Malcolmson, Harry.  “Sculpture in Canada”, Artforum, VI, No. 2, October 1967, pp. 40 Malone, Judith.  “Keyworks from the Sixties by Vancouver Artist Iain Baxter”, The Gallery, published by the Art Gallery of Ontario, Vol. 4, No. 2, Feb. 1982 May 22, 1999 McLean, Bob.  “Iain Baxter”,  Morning Magazine T.V. Show, CKCO-TV, 30 minutes, aired Sept. 3, 1992 and Mar. 10, 1993 McShine, Kynaston, ed.  Information, New York, New York, Museum of Modern Art, 1970 Mellen, Peter.  Landmarks of Canadian Art, Toronto, Ontario, McClelland & Stewart Ltd. 1978 Meyer, Ursula.  Conceptual Art, New York:  E.P. Dutton & Co. Inc., 1972 Millar, Jeremy.  “Ground Control,” Tate Magazine, Summer 1999 Milroy, Sarah.  “N.E. Thing Co.,”  Canadian Art Magazine Fast Forward Section, Page 25, Fall 1995 Milroy, Sarah. “A trickster who makes serious art”, Globe and Mail, p. C7, June 5, 1999 Mitchinson, Paul.  “The fine art of conserving… teddy bears?” National Post, Feb 5 2000 Morgan, Robert C.  Conceptual Art - An American Perspective, McFarland & Co., London, 1994 N.E. THING CO. LTD, Canada, X Biennial Sao Paulo, Ottawa, Ontario, National Gallery of Canada (Catalogue in form of a calendar), 1969 Nagle, Patrick, “The Artists of It”, Weekend Magazine, No. 28, 1966, pp. 30 - 31 October 14, 1995 Oliva, Bontio, Achillo, Europe/American the different Avant Guardes, Deco Press, p. 216, 1976 Pakassar, Helga. “Food for Thought,” Dandelion Journal, vol. 14, no. 2, Calgary, Alberta, p. 50-52, 1987 Paynter, Susan.  “N.E. THING Can Happen When You Meet Iain Maxter”, Seattle Post Intelligencer Northwest Today, July 19, 1970, pp. 6-7 Perry, Art.  “Baxter’s Magic: its all done with Mirrors”, Vancouver Province, December 13, 1981 Phillpot, Clive.  Ords & Wordworks”, Art Journal of College Art Association of America, Summer 1982, pp. 110 - 13 Picturing California:  A Century of Photographic Genius, published by Oakland Museum of Art, Fall 1989 Pinney, Marguerite.  “Art”.  Vancouver Life, III, NO. 7, May 1968, pp. 52-54 Plagens, Peter.  Sunshine Muse, contemporary art on the west coast,  Praeger, pg. 171, 1974 Pluralities/1980/Pluralities, Ottawa, Ontario, National Gallery of Canada, Corporation of the National Museums of Canada, 1980 Poinsot, Jean-Marc. Mail Art Communication, A Distance Concept, Paris, France, Editions CEDIC, 1971 Pollack, Jill, “One for the Record”, Saturday Review, Vancouver Sun, Jan. 2, 1993 pp. 123-26 Reid, Dennis.  A Concise History of Canadian Painting, Toronto, Oxford University Press Richard, Alain Martin & Robertson, Clive.  Performance in Canada - 1970 - 1990, Coach House Press Rigby Watson, Petra. “N.E.Thing Company”, Parachute 71, pp 45-46 Robins, Corine.  The Pluralist Era:  American Art 1968-1981 Rosenberg, Ann.  “Ann Illustrated Introduction to the N.E. THING CO. LTD.”  Capilano Review, no. 8/9 Fall 75/Spring 76, pp. 135-67 Rosenberg, Ann.  “Iain Baxter”, Vancouver Sun, 8 September 1967 Rosenberg, Ann.  “When Anything was art and art was N.E. Thing”.  Vancouver Sun, Saturday Review section, Feb. 27, 1993 Rosenburg, Ann.  “Tribute to a Cultural Maverick”, Saturday Review, Vancouver Sun, April 25, 1992 Sandiford, J. & Weihs, R.  Gallery walkabout, Workseen, Summer 1992 Scott, Michael. “An artist’s jarring vision”, Vancouver Sun, p. C5, June 2, 1999 Severson, Anne. “Extracurricular art activities”, FFWD, April 1-7, 1999 Shaw, Nancy.  “Expanded Consciousness and Company Types: Collaboration Since Intermedia and the N.E. Thing Co.,” in Vancouver Anthology: The Institutional Politics of Art.  Stan Douglas, ed.  Vancouver: Talon Books, 1991, pp. 85-103. Shaw, Nancy.  “Expanded Consiousness and Company Types:  Collaboration Since Intermedia and the N.E. Thing Company”, Vancouver Anthology, Talon Books, Vancouver, B.C., pp. 85-103, 1992 Shirley, David L. “Impossible Art - What it is”.  Art in America, LVII, No. 3, May 1969, pp. 32-47 Silcox, David.  Christopher Pratt, McLellan and Stewart, pg. 20, 1982 Smithson, Robert.  “A Sedimentation of the Mind:  Earth Projects:  Artforum VII, No. 1, September 1968, pp. 44-50 Southwest Biennial 1993, Trillium Cable T.V., Channel 11, 30 minute show on exhibition, Iain Baxter studio visit, aired February, 1993 The Canadian Encyclopedia, vol. 1 & 3, 2nd edition, Edmonton, Alberta, Hurtig Publishers, pp. 123, 187, 1607, 1988 Thompson, David.  “A Canadian Scene”.  Studio International, No. 176, October 1968, pp. 152-57, November 1968, pp. 181-85, December 1968, pp. 241-45 Tousley, Nancy.  “Baxter’s Back”,  Canadian Art Magazine, p. 14, Winter, 1987 Townsend, Charlotte.  “N.E. THING Goes Across Continent” The Vancouver Sun, November 14, 1969 Townsend, William, ed., Canadian Art Today, Studio International, London, England, 1970 Townsend-Gault, Charlotte.  “Frame of Mind”, Viewpoints on Photography in Contemporary Canadian Art.  Walter Phillips Gallery, Banff Centre for the Arts, Pages 13-14, 1993 Townsend-Gault, Charlotte.  “Iain Baxter and Jeffrey Spalding at James Ulrich Gallery,” Vanguard, Nov. 1983 Ward, Al.  “Toward a Creative Ethic”.  The Michigan Council for the Arts & Cultural Affairs, Arts Culture, Vol. 1, No.1, Detroit, Michigan, 1995 Watson, Petra.  “N.E. Thing Co., U.B.C. Fine Arts Gallery”, Feb. 19 - Mar. 17, 1993.  Review, Parachute Magazine #71, July, August, September, 1993, Pages 45-46 Watson, Scott.  “Hand of the Spirit, Documents of the Seventies”, University of British Columbia, Fine Arts Gallery, Vancouver, B.C., 1992 Watson, Scott.  “Vincent Trasov,”  exhibition catalogue, Fine Arts Gallery, University of British Columbia, Vancouver, British Columbia, 1991 White, Michael.  “Believing is Seeing”, Montreal Star, 14 June 1969 White, Robin.  “Iain Baxter/N.E. THING CO.”  View II, No. 4, September 1979, pp. 2-24, 1979 Wilson, Bill.  “In the Galleries”, Los Angeles Times, December 1966 Wood, William and Shaw, Nancy.  You are Now in the Middle of an N.E. Thing Co. Landscape, University of British Columbia, Vancouver, British Columbia, 1993 Wood, William.  “Capital & Subsidiary”,  The N.E. Thing Company and Conceptual Art, Parachute Magazine, pp. 12-16, illustrations, July, August, September, Issue #67, 1992 Wyman, Max and Alvin Balkind, “On Ferment and Golden Ages”, Vancouver Forum #1 Zeemans, Joyce.  “Video Activity of N.E. THING CO. LTD.”  artscanada XXX, Issue 182/183,