|
Gerald R. McMaster |
77 references found.
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| Hickman, James. "The Quiet Birth of a New Indian Art." Imperial Oil Review 59.2 (1975): 14-21. |
| Burke, Lorna. "Exhibits Shouldn't Be Missed." Regina Leader Post 3 November 1979 |
| Burke, Lorna. "Indian College Faculty Have Joint Exhibition." Regina Leader Post 25 January 1979 |
| Johnstone, Bruce. "Brushing Up on New Artists." Regina Leader Post 13 October 1979 |
| "Joint Show Set." Regina Leader Post 26 October 1979 |
| McCrae, Patricia. "Show Exhibits Indian Art." Prince Albert Herald 2 February 1980 |
| Richards, Jean. "Indian Art Throws Off Limitations." Edmonton Journal Edmonton, 4 April 1980 |
| Schacher, Eva. "Indian Art Takes Many Forms." Saskatoon Star-Phoenix 5 January 1980 |
| "Gerald McMaster ." Canadian Dimensions 9.2 (1981): 4. |
| "Native art illuminated by sun's presence." Ottawa Citizen Ottawa, 17 October 1981 |
| "A Wearable Art Form: 19th Century Robe Paintings." Canadian Home Economics Journal Edmonton, Summer 1983 |
| May, David, Lynn (Atkins) McMaster, and illustrations by Gerald McMaster. "Byron and his Balloon." Edmonton: Tree Frog Press, 1984 |
| Macintosh, Irwin. "Riel remembered." North Battleford News Optimist 18 November 1985 |
| Perry, Meta. "At the Galleries." Regina Leader Post Regina, 16 November 1985 |
| Perry, Meta. "Indian artist rediscovers drawing as serious art." Regina Leader Post Regina, 26 November 1985 |
| White, Bill. "Teacher-artist's commitment extends beyond work as a curator." Echo 4.7 (1985) |
| "Challenges." Amsterdam: de Meervaart cultural Centre, 1985 |
| "Riel Remembered: The Drawings of Gerald McMaster." Vista Regina: Mackenzie Art Gallery, September/October/November 1985 |
| "Beside and Beyond the Mainstream." Artweek 16.36 (1985) |
| Jarvis, Anne. "Spirit caught in Indian art." Brantford Expositor May 1988 |
| "More than Beads and Feathers." The Saskatchewan Indian September 1988 |
| "Tenuous Lines of Descent: Indian Arts and Crafts of the Reservation Period." Schatten der Sonne Stuttgart: Cantz, 1988 |
| "Special Indian Art Supplement." Saskatchewan Indian July/August 1988 |
| "Artists figure it out." Ottawa Citizen Ottawa, 16 June 1988 |
| "Public servant - painter has mission to help native artists." Ottawa Citizen Ottawa, 11 November 1988 |
| Fry, Jacqueline. "Review of Ancients Singing." Parachute Montreal, December-February 1989 |
| Martin, Lee Ann and Gerald R. McMaster. "De-celebration: A Review." NASAC Newsletter Fall 1989 |
| Martin, Lee-Ann. "Canadian Indian Art." McMichael Canadian Art Collection Toronto: McGraw-Hill Ryerson, 1989: 164,171. |
| Robertson, Sheila. "Exhibition offers window to native culture, experience." Saskatoon Star-Phoenix 19 August 1989 |
| Sibley, Robert. "The Art of Investment." Ottawa Citizen Ottawa, 2 May 1989 |
| "Tenuous Lines of Descent: Indian Arts and Crafts of the Reservation Period." The Canadian Journal of Native Studies 9.2 (1989) |
| "Baseball as a mystical art form." Ottawa Citizen Ottawa, 21 September 1989 |
| "Indian Lore." Ottawa Citizen Ottawa, 15 June 1989 |
| Anderson, Mike. "Great Tree of Peace." Metro Magazine Toronto, May 1990: 30. |
| Baele, Nancy. "Art of saving planet: Ecology proves big theme in number of shows." Ottawa Citizen Ottawa, 1990 |
| Crossman, Lana. "Cowboys and Indians: Re-thinking the Wild, Wild West." Between the Lines 1.5 (1990): 12. |
| Howard, Virginia. "Last Chance to Know Ourselves, Root and Crown." ArtsCraft Magazine Summer 1990: 20-21. |
| Martin, Lee Ann (co-writer). "The Contemporary Indian Art Collection at the Canadian Museum of Civilization." American Indian Art Magazine Autumn 1990: 50-55. |
| Zepp, Carol. "Bringing Native Americans into art's mainstream." Morning Herald Durham, North Carolina, September 1990 |
| Madill, Shirley, ed. "The Persistence of Land Claims." Robert Houle: Indians from A-Z. Ed. Madill, Shirley Winnipeg: Winnipeg Art Gallery, 1990: 32-44. |
| "Our Home, BUT the Native's Land: Problems of Representation." MUSE Autumn 1990 |
| "Painter Ken Danby takes new direction." Ottawa Citizen Ottawa, 22 November 1990 |
| Hume, Christopher. "Native painter's criticism packs strong punchline." Toronto Star Toronto, 1991: D14. |
| King, Thomas. "Dances with the Truth." The Toronto Star Toronto, April 1991: G13. |
| Stiegelbauer, Suzanne. "The Cowboy/Indian Show: Who are we talking about anyway?." BEEDAUDJIMOWIN 4.1 (1991): 13. |
| Valpy, Michael. "Peeping across ignorance barriers." The Globe and Mail Toronto, 25 March 1991: A6. |
| Dionne, Helene, ed. "He Kemo Sabe! Sais-tu qui est le "Grand Chien"?." L'oeil Amerindien: Regards sur I'animal. Ed. Dionne, Helene Quebec: Musee de la Civilization, 1991 |
| "How the West was Lost: An Artist's Perspective." European Review of Native American Studies 5.2 (1991): 15-18. |
| "How the West was Lost: An Artist's Perspective." Gatherings: The En'owkin Journal of First North American Peoples 1991 |
| "Native artist throws comic curves but with a serious twist." Ottawa Citizen Ottawa, 24 Feburary 1991: D7. |
| Bauche, Dean G. "Native art Exhibition." North Battleford News Optimist Beaudin, Victoria, 6 May 1992: 29. |
| Laurence, Robin. "Punning Artist Uses Native With." The Georgia Straight Vancouver, 27 August 1992: 14-21. |
| Laurence, Robin. "Review." Canadian Art Winter 1992: 64-65. |
| Townsend-Gault, Charlotte. "Stereotypes Under De (Construction)." Border Crossings 11.4 (1992): 76-77. |
| Young-Ing, Ted. "Stereotypes exposed." The Ubyssey Vancouver, 14 October 1992 |
| Lippard, Lucy, ed. "Colonial Alchemy: Reading the Boarding School Experience." Photographs of Native North Americans. Ed. Lippard, Lucy New York: The New Press, 1992: 76-87. |
| McMaster, Gerald and Lee-Ann Martin, eds. "INDIGENA: Contemporary Native Perspectives." Vancouver: Douglas & McIntyre, 1992 |
| "An Alien in America ." Enduring Strength Minneapolis: Intermedia Arts Minnesota/Two Rivers Gallery, 1992 |
| "Every day is Earth Day: A Native Artist's Perspective/ Le continent imprevu: Rencontres avec les Amerindiens." Paris: UNESCO, 1992 |
| "INDIGENA: A Native Curator's Perspective." Art Journal (College Art Association) Fall 1992 |
| "Paint, Sculpt, Draw!." Art Source: Resource Guide to the Arts, Visual Arts in Canada: Painting, Drawing and Sculpture Ottawa: Secretary of State/Multiculturalism and Citizenship, 1992 |
| "Re-Constructing the Cultural Community." Sharing the Circle Saskatoon: WANUSKEWIN Centre, 1992 |
"Artist's Statement." niya nehiyaw. Crossfires of Identity Kingston, ON: Agnes Etherington Art Centre, 1993
Démarche artistique |
| Tomassi, Noreen, Mary Jane Jacob, and Ivo Mesquita, eds. "Feel at Home With My Ancestors: A Canadian Perspective." American Visions: Artistic and Cultural Identity in the Western Hemisphere. Ed. Tomassi, Noreen, Mary Jane Jacob, and Ivo Mesquita New York: American Council for the Arts and Allworth Press, 1994: 136-142. |
| "An Interview with Gerald McMaster." Akwe:kon Journal Spring 1994: 2-15. |
| "Beaded Radicals and Born-Again Pagans: Situating Artists Within the Field of art." MA Thesis (distinction) Ottawa: Carleton University, 1994 |
| "Crossfires of Identity: An Interview with Gerald McMaster." Talking Stick: First Nations Arts Magazine 1.2 (1994): 18-23. |
| "Gerald McMaster: Discovering the levels of Meaning." Am Roads Are Good. Native Voices on Life and Culture Washington, D.C.: National Museum of the American Indian and Smithsonian Press, 1994: 113-121. |
| "The Politics in Canadian Native Art." Mandate Study 1990-93: An Investigation of Issues Surrounding the Exhibition, Collection and Interpretation of Contemporary Art by First Nations Artists Thunder Bay: Thunder Bay Art Gallery, 1994: 7-19. |
| "Savage Graces: 'after images'." HARBOUR: Magazine of Art and Everyday Life 3.1 (1994) |
| Dion, Therese. "New Under the Sun." The Montreal Gazette Montreal, 26 August 1995 |
| Marshall, Teresa. "Bering Strait Jacket." Toronto: A Space Gallery, 1995 |
| Milroy, Sarah. "Exhibition explores spectacles of place." The Globe and Mail Toronto, August 1995 |
| Poitras, Edward. "Canada XLVI Biennale di Venezia." Hull, Quebec: Canadian Museum of Civilization, 1995 |
| "Border Zones: The 'Injun-uity' of Aesthetic Tricks." 9.1 (1995): 74-90. |
| "Object (to) Sanctity." International Journal of Canadian Studies Fall 1995: 1-19. |
| "Talking: Installation Artist Edward Poitras (in) conversation with Gerald McMaster." Indian Artist: Magazine of Contemporary Native American Art 1.2 (1995): 106-111. |
